خلاصه ماشینی:
The Master of Tus, Hakim Abul-Qasim Ferdowsi, who spent thirty years of his life with hardship, devoting composing the Shahnameh—a monumental work of the Persian language—and boasts and takes pride in it, has possessed the merit and worthiness in his own era and thereafter to be recognized throughout the world as an unparalleled work in the genre of epic literature (cipe) and a representative of Iranian and Islamic thought and identity; or when the great Sheikh Saadi Shirazi, in his Gulistan, Bustan, Qasidas, and Ghazals, honors his own speech and prides himself on it, calling himself the unrivaled champion of the arena of speech and the peerless rider of the steed of oratory, saying: {SSeven countries today do not#make an assembly without Saadi's discoursesS} or "The beautiful mention of Saadi that has fallen into the mouths of the common people and the fame of his speech that has spread across the vast earth...
Among the first poets who can be the subject of discussion are Qatran Tabrizi and Asadi Tusi, who had come from Tus to Azerbaijan; and it is evident that in both these poets, the Khorasani style was perfected in the same manner as the Khorasanis, especially Asadi Tusi, who perhaps came to Azerbaijan to spread the Dari language, and other orators such as Zahir al-Din Faryabi, Athir al-Din Akhsikati, Abu al-Ala Ganjavi, Falaki Shirvani, Khaqani Shirvani, Nizami Ganjavi, Mujir Bilqani, Qawami Mutarrizi Ganjavi, Kamal al-Din Maraghi, and many others who, in the capacity of poets, strove in various fields of Persian literature—from love and mysticism to preaching, wisdom, satire, humor, and epic—and sometimes brought speech from harshness to gentleness with a mild tone, and at other times from gentleness to harshness, and alongside inventive literature, they raised critical literature, boasting, and satirical humor to a high level, and were able to present these issues as one of the subjects of &%02209PANG022G% design poetry in Persian literature.
(
, 
, 
)
