چکیده:
In the collection of poems by Nima Yooshij, various compositions are seen, some of which share similarities with others. This characteristic is, of course, seen in the works of other poets as well. By composing the poem 'Phoenix' in 1316, Nima began a new period of his poetry. Two of Nima's successful poems (one short and one long), titled 'Woe is Me' (1318) and 'Servile's House' (1319), emerged in the early years of this period. The harmony of vocabulary and the artistic connection of the text components have made the structure of these two compositions robust. The fundamental similarity between these two compositions is such that 'Servile's House' can be considered a re-creation and re-composition of 'Woe is Me,' or at least 'Woe is Me' can be regarded as a bridge that has led Nima to 'Servile's House.' In the text of the article, signs of this similarity are presented; such as: same time, same place, same main character, and similar character behaviors.
خلاصه ماشینی:
Nima once again in later years has started the poem "The Apothecary" in the same way: My field came dry / In the vicinity of the neighbor's field (Ibid, 504) In the third line, the poet says: "The enemy found the narrowness of my house with his deceitful gaze.
Khayyam, too, in one of his famous quatrains, referring to the negative character of Kay Kavus in the Shahnameh, has used the word "skull" instead of "head" for him: مرغی دیدم نشسته بر بارهی طوس#در پیش نهاده کلهی کیکاووس با کله همی گفت که افسوس افسوس#کو بانگ جرسها و کجا نالهی کوس (Zokavati Qaraqozlu, 1377:199) *** The narrator's other fear in Nima's poem is that in a night so dark, someone—unwittingly—might step on these skulls and provoke the enemy: In a night dark like this Moving over these skulls Who might, perhaps unknowingly, set foot?
However, the high frequency of words and combinations spread throughout the poem, which have made the atmosphere of the composition bitter and dark, has added to the artistic stimulation and emotional aspect of this poem; among them are: the drying of the field, the futility of measures, the narrowness of the house, the cunning gaze of the enemy, arrows tainted with the venom of malice, bloody roads, the heads of the dead, the dust of old graves, the torment of the aggrieved, gathered heads, the saga of suffering, the dark night, the heavy silence of the night, the weaving of spells by the outcast, the corruption of the soil, the dark night of the heart, without any thought, the arrival of the enemy, hanging the cloak on the dark night, the aching chest, the venomous arrows, the blood-soaked heart, and the fivefold repetition of "woe to me.
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