چکیده:
In this discourse, answers are provided to three questions that once occupied my mind—and certainly the minds of many others. The first answer: identifying and introducing the person who divided Saadi's ghazals into four categories: Tayyibat, Badai', Khawatim, and Old Ghazals. The second answer addresses the point: what was the reason for this classification? And the third answer addresses the question: why did that person not eliminate some of the weak and flawed ghazals?
خلاصه ماشینی:
The first answer: identifying and introducing the person who has divided Saadi's ghazals into four categories: Tayyibat, Bada'i, Khawatim, and Old Ghazals.
This category of ghazals appears raw or unripe, although among them, several truly excellent ghazals can be seen that stand alongside Saadi's best poems; such as a ghazal of advice and admonition, with the opening: "O friend, life is precious, seize knowledge as a treasure" or the ghazal "One day, in madness, I shall hang upon your tresses" or another ghazal with the opening: "I left the monastery, bring me to the ruins" and the ghazal "Fair-faced ones may be cruel, but they too will be faithful.
" However, it is possible that these ghazals have reached this section through copyists from the Bada'i and Tayyibat sections, or as it happens, moments occasionally come to a poet - whether old or young - where they lose themselves, ascend to the highest canopy, fly in the highest heavens, say things or create a work that is beyond their own belief, and if they were to try to create something similar during times of self-awareness and alertness, they could not.
" (Akhavan III, 192: 1372) To prove these statements and leave no "mustard seed of doubt," it is necessary to bring verses from Khawatim and Old Ghazaliyat, along with verses from Tayyibat and Bada'i that share the same themes and meaning, side by side, or to put it better, together, as follows: The men of God spoke the truth, O jurist!
Consequently, it is necessary to reconsider and organize each category of the Sheikh's ghazals exactly as they were at the beginning (meaning Tayyibat, Bada'i, Khawatim, and Old Ghazals should all be separated.
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