چکیده:
It becomes apparent. Today, modern story researchers have various perspectives on the function of 'voice' in narration. Most of these perspectives are based on Bakhtin's theories. According to Bakhtin, the structure of language is 'dialogic,' in which the speaker and the listener have a relationship that is formed within the text. The linguistic process, which at its minimum involves two people, shapes our individual identity. Dialogues that shape our identity and existence arise from the diversity of voices. Voices can respond to our need for self-knowledge and can sometimes even transform our character. In this writing, using the information analysis technique based on Bakhtin's theory of voice, it has been shaped in the stories of Shahriar Mandani Pour, a contemporary named storyteller. This report examines stories written from the year 1371 to 1382 and includes 31 stories. The preliminary assumption and first hypothesis is that Shahriar Mandani Pour has not succeeded in creating voice in the story. This essay was formed to discover the reasons for this, and through investigating them, it has found that the selection of the point of view has played a fundamental role in this regard.
خلاصه ماشینی:
Shiraz University Literature Garden Magazine Second Year, Number Four, Winter 1398, Consecutive Issue 6 (Formerly the Department of Social and Human Sciences) The Structure of 'Voice' in Mandani-Pour's Stories: The Role of 'Point of View' in the 'Voice' of the Story Fereshteh Rostami*\ Part-time Instructor at Arak University of Applied Science and Technology Abstract Today, modern story researchers have various perspectives on the function of 'voice' in narrative.
In the studies conducted, it was found that examples written in the style of a limited third-person narrator constitute a rhythmic mental chaos; also, the linguistic and musical features inherent in the text have brought the expression of dialogues closer to a poetic texture: "(Omniscient/First Narrator:) In the view from the house window, silent and cold, the meadow was vast, up to the tall grasses of the hill that had turned yellow.
" (Beyond the Blue Sea, 2831:911) Among the functions of the first-person narrator in Shahriar Mandanipour's stories, the following examples can be mentioned: A) When the narrator wants to gradually discover the world, he seeks help from the first person.
If the structure of the story proceeds in a monologic way that is merely the voice of the author, then the reader has only been able to read a literary text in which the characters are playthings of the author, and the reader sits watching this game without having any role in its execution.
Placing a word in parentheses expresses the author's desire to emphasize it: "[Interpretive narrator's point of view:] He did not have the patience for the scattered relatives of Tehran.
(
, 
, 
)
