چکیده:
Ahmad ibn Muhammad Nakhshabi Bukhari Dehlavi, nicknamed Masoud Bek, is a Persian-speaking orator from the eighth and ninth centuries AH, who, after turning to Sufism and mysticism and joining the Chishtiya order, left behind profound writings and compositions. Despite his fame outside of Iran, especially in India and Pakistan, his figure is not well known in our country. The works and mystical thoughts of Masoud Bek reflect the perspectives of great figures such as Ayn al-Quza Hamadani, Attar, Saadi, and other Iranian mystics and orators. In this writing, an effort has been made to weigh the sometimes contradictory narratives of biographical memoirs regarding the life and works of Masoud Bek, and by relying on his works and poems, including Mirat al-Arifin and his Divan of poetry, to present a clearer picture of the author's life events, works, and thoughts; for example, in this essay, his name, title, and lineage, as well as the details of his rule in Transoxiana and his eventual abandonment of worldly attachments to join the Chishtis of Delhi, are discussed.
خلاصه ماشینی:
In this writing, an effort has been made to weigh the sometimes contradictory narratives of the Tadhkirahs regarding the life and works of Masud Beg and, relying on his works and poems, including Mirat al-Arifin and his Divan of poetry, to present a clearer picture of the author's life events and his works and thoughts; for example, in this essay, there is discussion about his name, title, and lineage, as well as his various periods of rule in Transoxiana and his eventual abandonment of worldly attachments and joining the Chishtis of Delhi.
'71 However, older sources, including Akhbar al-Akhyar, have made no mention of Nasir al-Din. On the other hand, Masud Beg's praises for a person named Nasir al-Din are also thought-provoking; for example: Nasir al-Din is the king of the world's elegance, who gave beauty to this land from his own face; I was in the embrace of sorrow in the intoxication of separation, which came and stole the intoxication from my eyes; He said, 'Write a Safina (vessel) for me,' I had repented from this for the sake of shame, but when he became my constant companion day and night, he eventually wrote the heart-soothing poem of the beloved; O Lord, let this Safina, through the meaning of beauty, become a companion to the hearts of all the greats.
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