Articles: Nobahar Hamrangi مقاله

خلاصه ماشینی:

In the twentieth century, the masters of the Persian language and literature—Tajiks, Afghans, and Iranians—bow their heads in respect toward Pakistan in the name of Muhammad Iqbal, who demonstrated the limitless possibilities of their thousand-year-old language and poetry through the capacity of deep philosophical meanings of new humanitarian thoughts, and grand political and social melodies with the reflection of the finest aspects of nature. The most important political and social values, as well as freedom and independence, which were the fundamental goals in the struggle of the peoples of our countries in the first half of the 20th century, brought themselves into the arena of history through poets, among whom Malek al-Sho'ara Bahar, Aref Qazvini, and Farrokhi Yazdi in Iran; Mahmoud Tarzi, Abdulali Mustaghni, and Khalilullah Khalili in Afghanistan; Sadr al-Din Ayni, Abul-Qasim Lahouti, and Pirou Salimani in Tajikistan; and Muhammad Iqbal in Pakistan were among the pioneers. This great heritage, which begins with Sanai and Attar and reaches Muhammad Iqbal, has been accessible and prevalent in the culturally similar countries of Afghanistan, Iran, and Pakistan; however, unfortunately, in Tajikistan after the October Revolution, due to the dominance of communist policy, it had no place, and contemporary Tajik poetry was deprived until the final years of the freshest springs of passion and excitement, longing and intoxication, and the intellect of eternal love, whereas in Afghanistan Khalilullah Khalili, in Iran Mohammad Hossein Shahriar, and in Pakistan Muhammad Iqbal drank from the spring of Sufism, gave their poetry new spirit and freshness, and praised humanity—which is the representative of the Creator of the worlds—with dignity and in a new tone and melody that is worthy of the time and the eternal.