چکیده:
The high، lofty and the humane manner، in addition to the unique behavior of the Prophet Mohammad، have always been of notice to the poets and writers in the Persian literature. After Islam، the Persian poets praised that dear character due to a variety of occasions. Especially after rejoicing God and the creator of the universe، they have focused on the praise and the commemoration of this dear Prophet، the high rank of the Prophet; as the last Prophet and especially by emphasizing on one point; that Prophet Mohammad is the center of the whole universe. Based on Ibn-Arabi's interpretation and the mystics following him، they believe that Mohammad's truth lies at the center of the universe and is indeed the major reason for the creation of the world in the first place. The Iranian literary poets and writters have reflected the life events and the different aspects of this perfect and ideal character، as the perfect human and man's role model in all life in their works. This issue is observed in the traditional Persian poetry. This article intends to survey the contemporary Persian poets' works regarding the Prophets' character. The purpose of this study is to survey the quality of such reflections through comparing the traditional and modern poetry. this research reveals that the contemporary poets reflect the Prophet's character through four aspects; praise، incidental، narrative and illustrious within their poems. In addition، most of the prominent poets who have composed poetry in the four mentioned aspects are also analyzed and evaluated too.
خلاصه ماشینی:
However, this did not mean the authenticity of man or the authenticity of the individual; meaning that the emergence of prophetic manifestations in Persian poetry was not limited and restricted only to the personality of the Prophet and also the events of his life or his words in the capacity of a sublime and unparalleled human being, but rather the mission of the Seal of the Prophets by God established a type of religious culture that, as time passed, its foundation became firmer and its expansion increased, to the extent that it can be said encompassed the lives of Iranians and, through its fusion with Iranian culture, became an inseparable part of Iranian life and society, transforming its material and spiritual existence.
In other words, if traditional poets utilize religious and national models such as the Holy Prophet(s), Imam Ali, Rostam and Siavash, and their like to guide people toward them, in new poetry, these models are linked to the problems afflicting society and are presented as new personalities compatible with societal issues in the pursuit of ideals.
And as for the fourth group, which is the subject of discussion and citation in this article; despite various political and literary currents, they possess a religious method and technique; such as Bahar, Shahriar, Hamid Sabzevari, Mehrdad Ousta, Salman Herati, Hassan Hosseini, Mohammad Reza Shafiei Kadkani, Alireza Ghazveh, Seyyed Ali Mousavi Garmaroudi, Tahereh Safarzadeh, and Qaisar Aminpour, who in their poetry present religious fighters and religious leaders as models for humans to achieve their desired ideals.
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