Wittgenstein, on Words and Music مقاله

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In Philosophical Investigations, Wittgenstein writes: "Speaking with thought and without thought should be compared to playing a piece of music with thought and without thought. Even a passing acquaintance with the Blue and Brown Books or the Investigations reveals that Wittgenstein is deeply opposed to the view that understanding language is based on having one or more internal experiences. Interestingly, another way of drawing attention to the features of a musical piece, which Wittgenstein emphasizes heavily both in his 1933 and 1938 lectures on aesthetics, is comparing that work with something else. However, although such an approach to music—this denial and this acceptance—is quite specific to Wittgenstein's discussions on experience, understanding, and meaning in his later works, there are expressions that suggest a different approach. " I want to briefly examine what Wittgenstein says about the experience of the meaning of a word in order to express something regarding this "particular conceptual world. 2. Another situation based on which you can have an experience of the meaning of a word is when you repeat a familiar word so much that it feels like a pure sound and almost turns into a meaningless word (Investigations, p. Wittgenstein does not contribute much to the description of the concept of the experience of the meaning of a word in the sixth part of the second section of Investigations. " One of the examples he provides is speaking about a part of a musical work: "Here, it seems a conclusion is being drawn," and he says that expressing such a sentence "requires familiarity with conclusions...