چکیده:
In this article, after criticizing the article 'A Note on the Article: A New Look at the Introduction of the Shahnameh', the author has proven, by relying on and citing the text of Ferdowsi's Shahnameh, that the suggestion made by the author of the aforementioned article regarding replacing 'do' with 'cho' at the beginning of a famous verse from the Shahnameh is incorrect. In this article, while explaining the meanings of 'cho' in Ferdowsi's Shahnameh, it is ultimately proven that the word 'cho' at the beginning of the mentioned verse is appropriate and means 'approximately' or 'near'; the errors that have arisen and the attempts to resolve them stem from a lack of knowledge regarding the usage of 'cho' in the Shahnameh.
خلاصه ماشینی:
"2 The core subject of this article is the explanation of the word "cho" at the beginning of this verse by the poet of Tus, which is: Cho haftad kashti bar u sakhte, hame badban-ha barafrakhte 3 Dr. Rezaei, at the end of the article, has concluded as follows: "The author, with this explanation, not only guesses but is certain that the first word of this verse by Ferdowsi—just as the late Professor Dr. Zaryab Khویی also guessed—must be 'do' (two) and not 'cho' (as/like), and the verse in question should be considered correct as it appears in the (L 2) version among the documented versions of Mr. Khaleqi used in the correction of the Shahnameh text, and it should be written and read as follows:" Do haftad kashti bar u sakhte, hame badban-ha barafrakhte "And 'do haftad' must certainly be interpreted as 'seventy-two' and not 'one hundred and forty'.
"8 Following this, Dr. Rezaei added: "It appears that this type of combination and numbering of two-digit numbers (the second type) was common and prevalent in the era of Ferdowsi and in his language and dialect in Khorasan, and that Khorasani peasant-born poet, in his famous verse, used 'do-haftad' to mean 'seventy-two' according to the common method of his language and time, rather than having (as Professor Zaryab Khویی says) omitted the 'conjunction' between 'do' and 'haftad' to maintain the poetic meter.
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