خلاصه ماشینی:
Literary Research: Literary Laxity, Causes of Confusion in Poems - The Poetic Style of Sheikh Bahai - Twelve People with the Pen Name Khayali - Khayali Bukhari - Ghazal of Khayali Bukhari Written by Mr. Keyvan Samiee Causes of Confusion in Persian Poems In issue number 8, volume three of the esteemed magazine "Ayandeh," the honorable scholar Dr. Afshar, after quoting a famous and mystical tarji-band of Hatef, attributed a ghazal both in title and pen name to Sheikh Bahai, which in investigating its attribution to Sheikh Bahai involved some laxity.
In the days of Jahiliyyah (pre-Islamic era), Arab poets designated one or two people as specific narrators to preserve the words of their poetry from distortion and corruption and to maintain its attribution; these individuals would narrate their poems at appropriate times.
Due to not recognizing the speaker, who used his actual name instead of a pen name in the concluding verse (maqta) of the ghazals, he attributed his poems—from the letter Ba of "Bismillah" to the final Ta of "bi-Husayn bin Mansur al-Hallaj"3—to Husayn bin Mansur al-Hallaj and published it in Bombay as the Divan of Husayn al-Hallaj, providing his biography from the book Majalis (1)-For this qasida, refer to volume two, forthcoming, pp.
In addition to the fact that al-Hallaj never composed poetry in Persian, but rather had essentially no interest in poetry and versification, in the Tadhkirah, biographical, mystical, and historical books where he is mentioned, no poetry— (1)-such as this verse which is in the letter Dal: ما انا نیت ز دار نیستی آویخته تا بدانندی انا الحق گفتن منصور بود (2)-Muhyiddin, famous as Ibn al-Arabi, and Abd al-Razzaq were both among the famous mystics and Sufis of Iran who lived in the seventh century.
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