چکیده:
In this research, the general and technical characteristics of Middle Persian and Parthian (Arsacid Pahlavi) poetry of the Middle period, namely the Arsacid and Sassanid eras, are examined. First, the dimensions of Iranian literature, especially the background of poetry and poetics of this period, are described; then, the two poems 'Derakht-e Asurik' and 'Yadgar-e Zariran' and the characteristics of these two poems are discussed. The Gousans, or poet-musicians of the Sassanid era, are among the prominent poets of this time. These performers and singers were the keepers of the authentic heritage of Iranian poetry and music, who had a significant impact on Iranian literature and art during the Arsacid and Sassanid periods. The most prominent Gousans were Barid, Nekisa, and Ramtin, who had a lasting influence on the music and poetry of Middle Iranian period. Most Iranologists believe that Middle Persian and Parthian poems were syllabic-accentual. The metrical characteristics of various types of poetry, whether accentual or syllabic, is one of the important topics of this article.
خلاصه ماشینی:
Abstract: In this research, the general and technical characteristics of Middle Persian and Parthian (Arsacid Pahlavi) poetry of the Middle period, namely the Arsacid and Sassanid eras, are examined.
(*)Faculty member of Shahid Beheshti University Introduction Although not many poems from Middle Iranian literature have remained, the existence of two poems, Derakht-e Asorik and Yadgar-e Zariran, which are Parthian (Arsacid Pahlavi) hymns and Sassanid era Middle Persian poems, proves the existence of a stable poetic tradition during this period.
Benveniste found eleven syllables in succession from the repetition of the hemistich "ayum abr tar az tu, derakht Asorik!" and then divided the text into segments of 5, 6, 7, 8, 9, and 10 syllables, concluding that the meter of Avestan, Pahlavi, and Middle Persian, or Pahlaviyat, is based on the number of syllables and that the quantity of syllables is in no way significant in them.
The meter of the poem Yadgar-e Zariran is one of the complex issues of Middle Persian poetry.
263-274; Yahya Mahyar Navabi, Yadgar-e Zariran, Pahlavi text with Persian translation and comparison with the Shahnameh, Tehran 1374.
Of course, it should not be concluded that rhyme in Middle Persian poetry follows a specific and regular system, and truly the ambiguity regarding rhyme is equal to the ambiguity regarding the meter of the poems of this period.
" Khanlari also believes regarding the meter of Pahlavi poetry that, like folk and local songs and poems, the foundation of their meter is based on syllable quantity and word stress, and these two factors together created the meter.
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