خلاصه ماشینی:
My sources are also reliable manuscript and printed tadhkirahs (biographical dictionaries) composed during that same 150-year period; such as: Tuhfat al-Sami composed by Sam Mirza Safavi in 957 AH, Haft Iqlim composed by Amin Ahmad Razi from 996 to 1002 AH, Khulasat al-Ash'ar composed by Taqi al-Din Kashani from 975 to 1016 AH, عرفات العاشقین (Arfat al-Ashiqin) composed by Taqi al-Din Ohadi Buliyani from 1022 to 1024 AH, Majma al-Khawass composed by Sadeqi Ketabdar in 1061 AH, Tadhkirat Nasrabadi composed by Mirza Muhammad Tahir Nasrabadi in 1083 AH, and a number of other tadhkirahs, poetry collections, and manuscript and printed divans whose details are mentioned in the references section.
The flower took the lamp of beauty from you in the garden And from your face, it took the mirror of a bright heart In every house where the candle of your face was lit The sun carried away light like a particle through the window The lover, whose grief was apparent to everyone His crowd was the dispersion of the mind In this world, he lived neither a moment of pleasure nor joy It is as if his happy moment was his last moment The eye that could not bear the sight of the beloved Became tearful before that silver-cheeked one In the flood of tears, he saw the reflection of her face Drawing a wondrous pattern upon the water at the end of all The jest that had a permanent place in the eye Her graceful, cypress-like stature departed from my sight People, shedding tears, went following her So much so that her feet became blistered from tears 7 Mahvi Hamadani [died 1016 AH] If counting a hundred beads of a rosary is good, If not setting down the cup of wine from your palm is good, You asked: What should I do, what gift should I bring to the Friend?