چکیده:
AbstractBahram is one of the most popular and important Aryan deities, which is rooted in pre-Zoroastrian beliefs. Since the time when two great Indo-Iranian Aryan peoples lived together.Indra (Verthraghna), the god of war and victory, belonged to the group of deities, who was later rejected by Zoroaster; But with the refinement of the character of this god in Zoroastrian religion, Indra regained his position as the god of war and victory of the Iranian people in the group of Verthraghna (= Bahram).In this research, the role of Izad Bahram in compiling the national epic of Iran is examined and verified. An attempt has been made to discuss this issue by citing historical reasons and signs The national epic was compiled in the Sassanid era by emphasizing the symbols of this deity in various religious, cultural, artistic, architectural, civil and military manifestations.
خلاصه ماشینی:
The Role of Yazata Bahram in the Formulation of Iran's National Epic Nouzar Jafari Abstract Bahram is one of the popular and important Aryan deities that has roots in pre-Zoroastrian beliefs, meaning from the time when the two great Aryan peoples, Indo-Iranians, lived side by side.
By mentioning historical reasons and signs, an attempt has been made to discuss that the formulation of the national epic during the Sassanid era took place with an emphasis on the symbols of this deity in various ritual, cultural, artistic, architectural, courtly, and military manifestations.
The deities praised in the Yashts of the Avesta likely belong to the pre-Zoroastrian era; for this reason, we witness the beliefs and cultural and linguistic commonalities of the Indian, Iranian, and Aryan peoples clearly in the Yashts (Rashid Mohassel, 1382: 30).
7. Compilation of the National Epic in the Sassanid Era The change of the royal dynasty from the Parthians to the Sassanids was not merely a political event, but rather a sign of the emergence of a new spirit in the empire of Iran, which possessed two advantages over the preceding state.
Another sign of nationalism based on Zoroastrian fundamentalism in this era is the prominence of the manifestations of the deity Bahram (Verethragna), the god of attack and victory—the god of war and Khvarenah or "xavarənah," the glory and splendor from which the majesty of kings comes (Christensen, 2011: 14).
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