چکیده:
This study aims to investigate the studies done on the dragons in Iranian Islamic art, especially the signs of Ashura. On both blades of Togh, you can see a less known element, i.e. dragon’s heads.These heads have been considered as symbols of the Geniis’ army who asked Imam Hussein to let them enter the battlefield on the day of Ashura but he did not agree (as a symbol of good and help)Others consider them as the symbol of the punishment of the oppressors caught in the fires of hell and "Ghashiyah snake”)as a symbol of evil). But according to the ancient myths of Iran and old paintings, the dragon is a dual symbol of both the evil of drought and ugly temperament Like Zahak's shoulder snakes and a symbol of the life tree’s guardian and precious treasures. Since the Agh-e Quyunlus era, Togh has been used in Iran but since the Safavid period and after that, Shiites have lauded it as a special mourning tool for Sayyid al-Shuhada.This study shows that this dragon can indirectly refer to the lack of water, the martyrdom of Imam and his companions while they were thirsty or a symbol of the guards, a cypress (freedom) and hidden treasure of the universe. The research method is descriptive-analytical and its basic questions are as follows1. What does the dragon on the Ashura symbol stands for?2. How has the torpedo mouth been evolved?
خلاصه ماشینی:
An analytical and semiotic study of the dragon head in Iranian Toghs (in the time period from before the Safavid era to the present) Teela Asgharzadeh Mansouri 1 Date of receipt: 2021/06/10 Mohammad Aref 2 Date of acceptance: 2021/09/05 3 Parnaz Goudarzparvari Abstract The aim of the present research is to examine the analyses conducted regarding the presence of the dragon in Iranian Islamic art, especially in Ashura symbols.
The present research shows that the presence of dragons on the Togh can be an indirect reference to the lack of water and the martyrdom of the Imam and his companions at the height of thirst, or a symbol of the guardians of the tree of life and the hidden treasure of the world of meaning.
Now, by examining the symbol of the dragon in China, ancient Iran, the West, and Islamic art, we want to explore the position of the dragon's presence on Iranian Toghs more than before.
In other articles, the role of the dragon in ceramics and tiles has been mentioned (Hosseini, 1390), in Iranian miniature painting (Taheri, 1388), in literature under the title "Dragon, Symbol of Which Drought?" (Shahrouyi, 1394), and "Dragon in the Myths and Culture of Iran and China" (Naibzadeh and Samanian, 1394); data from these studies have been used for the present research.
Snakes and dragons in Islamic art (research in the field of symbolism).
Snakes and dragons in Islamic art (research in the field of symbolism).
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