New Novel - ارغنون مقاله

خلاصه ماشینی:

Roland Barthes (1915-1980), in his famous essays which were published simultaneously with the first books of Alain Robbe-Grillet (in the years 1954 and 1955) and whose critical interpretations held a decisive importance for this newborn type of literature, called it Objective literature or Littérale (Literal) literature, and was pleased to see that this type of literature wanted to "even decontaminate the form of the story" and perhaps could provide the conditions for the "unconditioning of the reader vis-a-vis bourgeois essentialist art" was very pleased. In his first work, The Erasers (Les Gommes) (1953), although it remains somewhat faithful to the detective novel plot and is not devoid of symbolism and allegory, it finds a fresh and unusual tone from the very beginning that forces the reader to enter a precisely drawn perceptual arena and also to submit to a kind of distancing from the text and a "thoughtful vision" (to recall the title that Robbe-Grillet gave to some of his short stories, Instantaneous Photographs (Instantanés) (1962)). ] But in the continuation of his work, Robbe-Grillet, in a very fresh and unexpected way, continues his initial efforts by resorting to a kind of calculated sensuality in which gaze and "distance" play an essential role: a playful sensuality of which Le Voyeur was a kind of precursor, and books such as La Maison de Rendez-vous (1965) and Projet pour une Revolution à New York (1970) depict it within the framework of arbitrary changes in the formal design of adventure novels related to certain myths or the temptations of the modern world.