خلاصه ماشینی:
"perhaps into 'world'?"(Beyond Good and Evil, §150) In this aesthetical theology, the universe is seen as a divine artwork authored by God. This view can also be found in classical metaphysics, where Leibniz explains evil not only as a metaphysical necessity arising from the limitation and finiteness of the creatures, but also as the prerequisite for a more perfect harmony.
Third, the merely descriptive role of the arts then becomes normative, as this artistic self-realization and self-revelation of the darkest sides of the human society tends to actually promote then to some extent.
At the opposite of the modern fascination or complacency for evil, by contrast, Dante's Divine Comedy presents a successful description of evil under all its forms, followed by a return to the highest realms of light and of true and plain aesthetic beauty.
In any case, the Christian artistic tradition also depends on a transcendent view of the arts, in a somewhat complicated version of neoplatonism where Jesus Christ, being both the Verb containing all perfections and a perfect and sinless man, is at the same time the container of the intelligible world and the ultimate standard of Beauty and Morality.
Conclusion The arts, in the Mahdaviat must not only focus on the person of the Mahdi (that could even arise God’s jealously) but be part of a grander design of social engineering, where the arts could be promoted in order to enhance the ethical and religious climate of the Awaiting society, since it is precisely the moral state of a community which produces its temporal and spiritual leaders."