خلاصه ماشینی:
The main assumption of this article induced from Pierre Bourdieu’s theories is based on this believe that formation of artistic habitus or "the love of art" and legitimate taste in individuals initially has a close relationship with their level of education as institutionalized cultural and then their social origin.
Field studying of "art lovers" in Iran shows that forming of artistic habitus generally is based on inherited and family cultural capital or social capital and network of friends.
com Visual gender ideology in the works of male and female painters in the last six decades in Iran Farzan Sojoodi 1, Leila Tabatabaie Yazdi 2 Received: 2013/11/26/Accepted: 2014/06/10 Abstract Representing women both in portraitures and figurative works has been very frequent and repetitive in the art works of female and male artists in Iran's contemporary art as well as Iranian traditional painting in previous eras.
Iranian cinema has not fall behind of social and cultural changes and since art, movie industry, has a lot of capacities to introduce problems and affects family, the movie makers use this mediator to express their ideas and worries about society on different areas, including contrast between tradition and modernity in the family unit and used it, directly or indirectly, in their movies.
ir) Concepts of elegy in Bakhtiari People with an emphasis on the content analysis of Gagerive 2 Soodeh Maghsoodi 1, Pejman Shirmardi Received: 2013/11/22- Accepted: 2013/09/20 Abstract One of the cultural elements which effects of our life is music.