چکیده:
Taste in architecture means to choose the optimal building which is the most important issues in this area, attributed to different factors.But it can be understood in two introductory ways .The first way relates to outward or objective characteristics, and the second way relates to the perspective of the individual’s subjective perception .In addition to these two cases, functional aspects or living in the building and its location in the urban landscape are also important in architecture. Another noteworthy point is commodity preferences or the importance of fashion in society which plays an important role in building choice. Thus according to various aspects of “taste”, Studies began on sensory perception and its implications in aesthetic perception from Exterior side of the building and its relationship with art. Form-based features and characteristics of the external appearance of the building facade along with its impact on mind studied in beauty and art issues.
Then functional aspects of architecture and the quality of human life in the building were considered. Subsequently, the search in the field of social preferences Which is another influential factor in choosing and in the field of fashion and social trends searched .As a result, it was determined that taste in architecture begins with observing the apparent or objective character of the building, associating with fashion trends to It will lead to the choice of the optimal building.
خلاصه ماشینی:
"Therefore, the main focus of this article is examining the role of all the mentioned factors, aesthetic, life of the building, face of the city and Fashion in order to find the effect and impact on each other in the formation of individual taste in architecture.
What happens when we look at the Sheikh Lotfollah Mosque in Isfahan or Kashan Aqa Bozorg school (Figure 1 and Figure 2) or other structures of this kind?If we consider the quality of architectural beauty depends on the form, color, background, or motifs, what occurs when we are faced with the visual perception of these elements ?One of the contemporary experts in this field, says: "The common denominator between Hagia Sophia and Milan Community Church windows, Persian bowl, Chinese carpets and paintings by Cezanne, in the combination of lines, colors and forms which raise our aesthetic emotions and meaningful form, is the only common denominator in all of these visual art works "(Wolf, 90: 2010).
For architect, client, user, professionals, and the public, proportion between aesthetics of the building, its position in city view, life experience and presence in the building, along with a look at fashion and common patterns,are Foundations of valuation and judgment , are criterias of choosing optimal building Or origin of taste in architecture."