چکیده:
Ibn Tufail as a scientist as well as an artist exposes the issues of human anatomy, autopsy, and vivisection and, thereby, could be regarded as a SciArtist. SciArt might be defined as a reciprocal relation between art and science. Followings are the kinds of these interactions: artistically-inclined scientific activities, science-minded artistic activities, and intertwined scientific and artistic activities. In their fictional treatises, Avicenna, Ibn Tufail, and Suhrawardi are traditional avatars of SciArt. This paper frames an account of SciArt, suggesting in detail Ibn Tufail’s work as a prototypical example, while Avicenna and Suhrawardi go beyond the scope of this paper. An instant of intertwined scientific and artistic activities strongly captivates the attentions to Ibn Tufail, describing human anatomy, autopsy, and vivisection in his Treatise of Hay Ibn Yaqzan. Recognized as the first philosophical story, Hay Ibn Yaqzan depicts the whole philosophy of Ibn Tufail by the story of an autodidactic feral child a gazelle raised whom in an island in the Indian Ocean.
خلاصه ماشینی:
Ibn Tufail as a SciArtist in the Treatise of Hayy Ibn Yaqzan* Nadia Maftouni** Associate Professor, University of Tehran Abstract Ibn Tufail as a scientist as well as an artist exposes the issues of human anatomy, autopsy, and vivisection and, thereby, could be regarded as a SciArtist.
An instant of intertwined scientific and artistic activities strongly captivates the attentions to Ibn Tufail, describing human anatomy, autopsy, and vivisection in his Treatise of Hay Ibn Yaqzan.
Recognized as the first philosophical story, Hay Ibn Yaqzan depicts the whole philosophy of Ibn Tufail by the story of an autodidactic feral child a gazelle raised whom in an island in the Indian Ocean.
e. alive the son of awake,1 —the complete name of which is Resalah Hayy Ibn Yaqzan fi Asrar al-Hikmah al- Mashriqiah Istakhlasaha min Dorar-i Jawahir-i Alfaz-i al-Rais Abi Ali Sina—is regarded as the first recorded writing in history that is intentionally cast as a philosophical story, expressing ibn Tufail’s views via imagery.
In the field of metaphysics, some authors describe philosophical issues with stories like Hay ibn Yaqzan and dramas like Rattlesnake, (Maftouni, 2015, pp.
An avatar of intertwined artistic and scientific activities could be observed in ibn Tufail’s story, Hay ibn Yaqzan.
The history of Hayy Ibn Yaqzan translated from the Arabic by Simon Ockley, revised, with an introduction by Fulton (1929).
Another reviewed Work is “Ibn Tufayl’s Hayy Ibn Yaqzan, a Philosophical Tale Translated with Introduction and Notes by Lenn Evan Goodman” review by Parviz Morewedge in Philosophy East and West (1977).