چکیده:
Similar to any poetic genre، eulogy of the Prophet (pbuh) has progressed through various stages and experienced vicissitudes of history. The genre was first developed by such great poets as Ka’b bin Zuhayr and Hassan ibn Thābit، and continued to survive inspired by the Holy Qur’an and the Prophet’s tradition. The Period of Decadence (the Mongol، Mamālīk، and Ottoman Empires) was the heyday of this poetic genre which reached its apogee through the artistic contest of distinguished poets including al-Busiri، Safi al-Din Helli، and Ibn Nubāta al-Misri، and became an independent genre of poetry with its particuliar construction and characteristics. The genre starts a new trend in the contemporary period through the efforts made by poets such as Mahmud Sāmi al-Bārudi، Ahmad Shawqi، and others. While giving an introduction to the genre of eulogy، and eulogies after the Prophet (pbuh)، and how they came into existence، the present article presents a comparative study of this poetic genre in the contemporary period and the Period of Decadence، and deals with the renovation and imitation developed in this genre in the contemporary period as compared with the eulogies in praise of the Prophet produced in the Period of Decadence.
خلاصه ماشینی:
This article is a research that examines the personality of the Prophet Muhammad (PBUH) in the poetry of contemporary poets, and while addressing the theme and form of this type of poetry (Nabawi panegyrics), the intentions and goals of the poets along with examples of their poems with translation and analysis, compares it with Nabawi panegyrics of the period of decline, which was associated with the presence of great figures such as al-Busiri (the peak of flourishing of this poetic art); a topic that has not yet been compiled as a treatise or book in Persian.
But in the late nineteenth century, when the Islamic Union movement with the activity of figures such as Sayyid Jamal al-Din al-Afghani and Muhammad Abduh awakened the Muslims, and on the other hand, Arabic poetry also took steps towards liberation from the constraints of rhetorical devices prevalent in the Ottoman era, the panegyrics of the Prophet (PBUH) also entered a new stage, and poets such as Mahmoud Sami al-Baroudi, Muhammad Abd al-Mutalib, Ahmad Shawqi, and Ahmad Muharram experimented in it, and influenced by the greats of this art in previous periods, especially the poets of the age of decline, as well as influenced by the works of renewal in the age of the literary renaissance, they left behind beautiful poems in praise of the Prophet (PBUH).
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