چکیده:
Mircea Eliade, Romanian contemporary mythologist and historian of religion, is recognized as a prominent writer in his country; He believed that Issues such as the transition from linear- historical time to sacred time can be understood by the unknown parts of ancient mythology for today's mankind. Eliade's "Twelve Thousands of cows" is an opportunity to explore a particular narrative style and analyze Time from a mythological perspective. The present study provides an opportunity to understand one of the narrative techniques of time that Eliade himself first found in mythology and used in his story, self-conscious or unconscious. The plot of the story is in the story of a history of historical anxiety, war and bombardment of Bucharest, and the writer tries to challenge the anxious time of history and by historizing in the context of mythological understanding of time, changed despair to hope in the midst of a special narration.
خلاصه ماشینی:
An Exploration of Mythological Time in Mircea Eliade’s Narrative Style (Case Study: The Story of Twelve Thousand Heads of Cattle) Ali Sadeghi Manesh Postdoctoral Fellow in Mythology and Assistant Professor of Persian Language and Literature, Hakim Sabzevari University, Sabzevar, Iran Mehyar Alavimoghadam Associate Professor of Persian Language and Literature, Faculty of Literature and Humanities, Hakim Sabzevari University Sabzevar, Iran Hasti Ghadiri Sahi Postdoctoral Research Fellow in Persian Language and Literature - Epic Literature, Hakim Sabzevari University, Sabzevar, Iran (Received: 2019-09-17, Approved: 2020-05-29, Published: Winter 2021) Abstract Mircea Eliade, a contemporary Romanian mythologist and scholar of religion, is known as a prominent storyteller in his own country.
Of course, it must be accepted that the human mind has always devoted its eternal myth-making ability to literature and art, and the characters, times, places, and events of literary works themselves become a kind of new myth (Rooyaii, 2015: 91); but what makes Eliade’s fictional works different is his mythological mindset, which makes them special by consciously introducing the functions of myth into the novel.
In fact, the one who performs a ritual accompanies the listening and symbolic recreation of a mythical narrative, and thereby takes place in a time and place superior to worldly time and space; in short, it can be said that primitive man, by reviving myths and living with them, escaped from linear and worldly time, which is specific to recording events and historical occurrences, and entered a time that had a different quality and was, as it were, sacred and Minoan, and entering this time was like entering eternity, or rather Illo tempore, which is the origin and beginning of every creation and emergence.
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