چکیده:
Among the techniques of rhetoric, simile has the most frequency in terms of variety and application. The invention of non-repetitive and at the same time imaginative similes has been widely flourished in the Azerbaijani style and has reached its peak in the Iraqi style period. Hakim Nizami Ganjavi has used this technique at its highest level. Unfortunately, due to the fame of Nizami's romantic masnavis, his poems include ghazals, odes, Qata`t and quatrains; It has been less favored and its verbal and semantic beauties have remained unknown. What has been discussed in this article is the analysis of the most important element of the art of rhetoric, that is, the art of analogies in the Nizamies book. The main issue of this research is to answer the question whether the success that Nizami found in his Masnavis can also be seen in his Diwan. For this purpose, all the poems in the Nizamies book were studied and after extracting all the similes in the book, for each of the similes in the art of simile, explanations and examples of the extracted evidence were presented.
خلاصه ماشینی:
Also, the construction "a grove of light" in the following example: «در دل من چیزی است/ مثل یک بیشة نور، مثل خواب دم صبح» (Sepehri, 1387: 356) This type of simile is one of the rare similes in the qasidas and ghazals of the Divan of Hakim Ganja, which has only been used in one instance: عمری ز سودای لبش جستم به یارب یاربش آخر به ظلمات شبش چون آب حیوان یافتم (Nizami, 1380: 302) In this verse, mushabbah: him (the beloved) and mushabbah bihi: the water of life (ab-e hayvan) is the case.
Nizami also says in his Divan: تا چو پروانه شوی بر سر این هفت چراغ شمع خورشید به خون تو معنبر گردد (Nizami, 1380: 223) In this verse, "the hidden pronoun (you)" is the mushabbah, "butterfly" is the mushabbah bihi, "as" (chu) is the tool of simile, and the point of resemblance (being a lover and self-sacrificing) is omitted.
4-1 Types of point of resemblance in terms of being perceptible or intelligible 4-1-1 Sensory point of resemblance It is that which can be perceived with one of the five senses, meaning it is a sensory matter: My blood becomes dry like a pod because you make a musk-like circle of your black tresses (Nizami, 1380: 239) In the mentioned verse and in the first hemistich, "blood" is the mushabbah, "pod" is the mushabbah bihi, "drying up" is the point of resemblance (observable and touchable), and "like" is the tool of simile.
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