چکیده:
Hakim Sanai Ghaznavi is one of the famous speakers of Iraqi style and mystical poetry who has left works of poetry and prose in his memory. done. The power of imagery is always a hallmark of a poet. Therefore, the present article is devoted to the study of poetic images (similes and metaphors) in Sanai poetry. In this article, poetry and imagination (image) are mentioned. The similes and metaphors of Hakim Sanaei's poems have been studied in terms of frequency, subject (pictorial elements), compactness and breadth, as well as in terms of the poet's purpose in bringing these images.Hakim Sanai Ghaznavi is one of the famous speakers of Iraqi style and mystical poetry who has left works of poetry and prose in his memory. done. The power of imagery is always a hallmark of a poet. Therefore, the present article is devoted to the study of poetic images (similes and metaphors) in Sanai poetry. In this article, poetry and imagination (image) are mentioned. The similes and metaphors of Hakim Sanaei's poems have been studied in terms of frequency, subject (pictorial elements), compactness and breadth, as well as in terms of the poet's purpose in bringing these images.
خلاصه ماشینی:
The similes of this poet are sometimes eloquent, in which only the tenor (mushabbah bihi) and the vehicle (mushabbah) are mentioned, such as wind of air (Ghazal 3, verse 2), arrow of cruelty (Ghazal 3, verse 5), burden of calamity (Ghazal 3, verse 6), field of love (Ghazal 26, verse 2), shield of loyalty (Ghazal 26, verse 2), ruby flower (Ghazal Examine some stylistic features or poetic images In the poems of Hakim Sanai Ghaznavi Narjes Keykha1, Masoud Akbarizadeh Ph. D2*, Behrooz Romiani Ph. D 3 Abstract Hakim Sanai Ghaznavi is one of the famous speakers of Iraqi style and mystical poetry who has left works of poetry and prose in his memory.
, 887: Ghazal 152) Heart: Mushabbah, crooked dragon: Mushabbah bihi, remaining on the head: point of resemblance, like: particle Conclusion Sanai is an imagistic poet who possesses abundant and diverse similes and metaphors in his poetry.
, 887: Ghazal 152) Heart: Mushabbah, scorpion: Mushabbah bihi, hand remaining on the head: point of resemblance, like: particle Your lip broke the world open, it took the luster of rubies and broke the value of sugar (Ibid.
, 861: Ghazal 115) Abode and street: Mushabbah (subject), Day of Resurrection: Mushabbah bihi (object), hundreds of thousands of lovers (large crowd): Wajh al-Shabah (point of resemblance), remained: Adat al-Tashbih (particle of comparison).
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