چکیده:
The examination of the dualities in art and literary works has attracted the attention of contemporary linguists,mythologists,narrators, and semioticians.They believe that from this perspective a better understanding of literary works can be achieved. The Indian style is one of the periods that expresses its intellectual, cultural, geographical and religious oppositions more effectively than any other period. Among the poets of Indian style, "Salim Tehrani" is one of the powerful thinkers who has been able to create exquisite and interesting intertwining themes in various fields In this paper, the author examines in a documentary, library manner the dual opposites or reciprocal couples as one of the central elements of his poems. For this purpose, four sonnets were selected from the different positions of his court. In these sonnets, 335 dual contrasts were found, that is, about 3.3 per sonnet.These two dichotomous variants are categorized into three categories: lexical and verbal (70%),semantic and intellectual (81%) and literary (31%)The semantic reciprocal pairs are more frequent in Salim poems.Some of these interconnected couples, such as asceticism,perfectionism, and so on. He has distinguished himself from others and has shown his line of thought and beliefs. The most important reasons for Salim's attention to the dual oppositions of travel and distance from home, the impact of the social environment, the attention to ethical and mystical concepts, and the poet's attention to aesthetic and musical issues.In any case, dual contrasts are one of the stylistic features of saline grains that have semantic and aesthetic function
خلاصه ماشینی:
Analysis of Opposition in the Linguistic Components of Salim Tehrani's Divan 1* Somayeh Abdollahi Nejat 2** Dr. Mohammadreza Zaman Ahmadi Abstract The study of dual oppositions in artistic and literary works has attracted the attention of some contemporary linguists, mythologists, narratologists, and semioticians.
com Analysis of Opposition in the Linguistic Components of Salim Tehrani's Divan 220 Introduction In the cultivation of meanings and the creation of literary concepts, various ways are available to the poet so that by using them, they can engage in the creation of their desired subjects, create changes in language through the use of emotion and imagination, and undertake composition through their own discretion.
It is necessary 221 Analysis of Opposition in the Linguistic Components of Salim Tehrani's Divan that it is necessary, before entering the main discussion, to briefly speak about the background of dual oppositions in literary works and movements.
As we know, the basis for the formation of many verses 225 Analysis of Opposition in the Linguistic Components of Salim Tehrani's Divan Hafez has incorporated into himself a kind of verbal, semantic, and literary opposition, a kind of opposition between mystical and romantic thoughts, debauched and ascetic, earthly and spiritual, and a struggle against hypocrisy and pretension, etc.
Upon examining the 100 target ghazals in Salim Tehrani's Divan, it is seen that he uses these lexical opposing pairs with a relatively high frequency in different ways; some of which are the key to entering the world of Salim's concepts, meanings, and thoughts.
(
, 
, 
)
