چکیده:
Poetry is an event that happens in language. In fact، the poet in his poetry works with language and the reader understands the difference between his poetic language and the common language. The Purpose of the poem is to create harmony among its different elements and one way to establish this harmony is through the phonetic structure of poetry. The Formalists and structuralists believe that the basis of poetry is its structure and in their structural studies they give more importance to the phonetic structure.In this article attempt is made to investigate the phonetic structure and the classification of all methods of forming this structure in the poetry of QaysarAminpour as well as the literary devices that shape the phonetic structure. Aminpour is one of the contemporary poets that adopts a classical form and is one of the followers of Nima. He uses the multiple language possibilities to add to the music of his poetry. The phonetic construction in Aminpour’s poetry has three levels: phonetic balance، lexical balance and syntactic balance. He looks at the special features of different components forming the word—phoneme to sentence—and creates artistic beauty in his poetry. He applies various techniques، such as repetition، rhyme، and pun to add to the beauty of the phonetic structure of the poems.
خلاصه ماشینی:
In this essay, an attempt has been made to comprehensively examine the phonetic structure of Gheisar Aminpour's poetry and to show the beauties resulting from the techniques and subtleties employed by the poet in the structure of phonemes, syllables, words, and sentences—which are the main components that constitute the surface structure of poetry—be demonstrated.
This means that the repetition of sounds, words, and grammatical structures creates a balance that causes a type of music to emerge, and in this way, increases the pleasure of the reader and the impact of the poem.
Therefore, radif is a complete homogeneity that comes from the repetition of a single grammatical element (word, group, clause, or sentence) with the same sequence and meaning at the end of the hemistichs and verses of a poem and after the rhyme (Abbasi, 1381:167).
Overall, the role of various types of repetition in the phonetic structure of Qaysar Aminpour's poetry can be considered very significant, as it has become one of the most important elements of beauty-creation in his poetry and has contributed greatly to the music of his poems.
By employing different types of repetition at the level of phoneme, syllable, word, phrase, and sentence, Aminpour has strived to strengthen the music of his poetry, and in this regard, he has been continuously searching for factors and elements from within the language itself.
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