چکیده:
The pertinence of a poet’s imagination in ordinary concepts of life and their relationship with nature is due to his or her insights and knowledge of natural phenomena as well as the outside world. In the collection of works of every poet، all various types of imagery being attributable to figures of speech (i.e.، metaphor، simile، synecdoche، and irony) represent moments that deal with the poet’s inner world; in fact، they are the reflections of the poet’s soul، personality، and inner characteristics. The current study was an attempt to scrutinize figures of speech and their frequency of use in Aminpour’s and Monzavi’s poems to find out the poets’ thoughts، emotions، and ideology towards the world and life. The common shared imageries or the central poetical imageries of these two poets were around love and the issues surrounding it. Although، more or less، a reflection of the society and the social issues could be seen in their writings، their subject was mostly about love. Their poetical imageries were vivid، dynamic، and visual. Although even little imitations could be discernible in their poems، their imageries and figures of speech domains were not just limited to the imageries of traditional poetry، but innovations could be observed in their poems. Similes were mostly intense and intuitive-intangible، and metaphor and simile were used more frequently than the other figures of speech.
خلاصه ماشینی:
Kaisar Aminpour has effectively used the element of metaphor to create imagery in his poetry, to be more precise in matters of nature and the surrounding world, and to present vivid images.
"A type of implicit comparative simile is evident in Monzavi's poetry, where the poet avoids equating the tenor with the vehicle, thereby enriching the image" (Kazemi, 1388:121).
(Refer to the page image) Investigation and Comparison of Figures of Speech in the Poetry of Hossein Monzavi and Qaysar Aminpour Abstract {IBThe poet's mental manipulation of concepts and ordinary matters of life and its connection to nature results in his insight and awareness of natural phenomena and the outside world.
The collection of images resulting from various types of figures of speech (metaphor, simile, metonymy, metonymy/allusion) in every poet's divan expresses the moments that deal with his inner self and internal world; in fact, it is the reflection of his soul, personality, and internal characteristics.
The aim of this research is to examine the elements of imagination (metaphor, simile, metonymy, allusion) and the frequency of each in the poetry of Aminpour and Monzavi, and to reach results derived from their thoughts, emotions, feelings, and attitudes toward the world and life.
Aminpour expresses the themes of his poems with artistry and imaginative images; if we want to limit the elements of imagination to the types of simile, metaphor, metonymy, and allusion, the poetic images of Aminpour's poetry are also the result of the poet's extensive use of the Makniyeh metaphor.
Aminpour's poetic images, like Monzavi's poetry, also follow the axis of love and social issues.
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