چکیده:
Praising the majesty of the holy prophet، relying on Qur’an and Ahaadeeth (the sayings of Moslem saints)، is what Nizami does at the beginning of his lyric poems. To express admiration to Muhammad (pbuh) is a familiar discourse throughout the Persian poetry after Islam. An analysis of Nizami’s poetry and his views about Prophet Mohammad can help us develop an accurate understanding of eulogy in Persian poetry. To study the coexistence of religious thoughts and romantic thoughts in lyrics is the main focus of the present paper. The author tries to show the content of Nizami’s eulogy; however، since it has been employed in a poetic discourse، he will also focus on the poetic features of Nizami’s eulogy. Nizami has a unique style in writing eulogy; he uses poetic elements، like imagery، figures of speech to praise the Prophet in line with his lyrics. Of course، it is not just a means of decorating his poetry، but a canal to convey his (non)/verbal views on the character and manner of the Prophet.
خلاصه ماشینی:
Of course, Nizami is not only seeking to describe and introduce the character of the Prophet; rather, through artistic creation, he conveys his deep and romantic emotions towards the Prophet to the audience, and he speaks of the Prophet so passionately that it is as if he releases the reins of the mount of thought on the path of imagination to be able to speak of the peak of the spirituality and divinity of the Holy Messenger.
On one hand, he has used the word "jan" (soul/life) instead of "jism" (body), and in the interpretation of this phrase, reference is made to the luminous existence nurtured under the radiance of his divine grace; mystics believe that the spiritual light of the Prophet is the first creation of God; for this reason, Nizami has spoken of the "jan," and this sacred existence shone so brightly in eternity that the Throne (Arsh) before it was like a particle before the sun.
Although Nizami has composed a separate section on the Mi'raj of the Holy Prophet; nevertheless, within his panegyrics (madaih) as well, he makes references to these magnificent and wondrous scenes; because the highest point of the Prophet's personality in the minds of Muslim poets is "Mi'raj.
That is, the poet has artistically utilized verses and Hadiths, and many of the verses in Nizami's na'ts are a poetic and artistic interpretation of the verses and Hadiths that pertain to the Prophet; for example, in Makhzan al-Asrar, before reaching the Mi'raj section, in the na't of the Holy Messenger, while referring to the Mi'raj, he also draws attention to the superiority of Muhammad (PBUH) over Christ (AS).
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