چکیده:
This article deals firstly with narrative levels, narrative text and their features; and secondly with the correlations between these levels and Halliday’s metafunctions, from the perspective of functional linguistics. These correlations will then be documented in Hasanak Vazir, through examining the linguistic characteristics of the metafunctions. It seems that the metafunctions are active at the two levels of story and text. The ideational function determines the fictive universe at the level of story, and the narrator at the level of text. Textual metafunctions correspond with the sequence and order of events at the level of story, and correlate with temporality, information structure and narrative text coherence at the level of text. In Short these metafunctions show capacities for analyzing the narrative levels and narrative text.
خلاصه ماشینی:
Research Background To date, no article has examined the correlation between the levels of story and narrative text and Halliday's metafunctions in the story "Hasank Vizier," but several articles have been written regarding narratology, Halliday's metafunctions, especially initial structure, and also Tarikh-i Beyhaqi.
Raymond-Konan defines the story as an abstract of narrated events and text participants, and considers it part of a larger construct, namely the fictional world (the reconstructed level or representation of reality) in which the characters of the story live and events also take place (1383: 15).
Leuven-Zwart, following Fowler, Leech, and Short, from the metafunction ideational at the text level refers to mind style 1; a style that refers to the type of attitude the narrator/focalizer has toward the story world (Leuven-zwart, 1989: 177).
What is important in terms of the interpersonal metafunction at the story level in Hasank Vizir, and what takes it beyond the limit of mere historical reporting, is that Bayhaqi, in his capacity as narrator, has not only provided historical reports and linear and chronological accounts, but has also strived, by clothing the historical report in a narrative garment, to present a "writerly" 4 rather than a "readerly" text, in the terminology of 5 Bart (Culler, 1992: 190); a text that is constructed step-by-step and in interaction with the reader in an effective manner.
4- Through the textual metafunction at the story level, Bayhaqi constructs the sequence, order, and arrangement of the events of his fictional world, as well as temporality, the syntactic arrangement of sentences and story clauses, and the cohesion of the narrative text.
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