چکیده:
In this paper, we have examined Kamal - Esmail’s artistic creativity in the area of personification. Regarding structure, the literary figure of personification Is categorized into intensive, semi-intensive and extensive, By the same token, with respect to the two sides of personification, other taxonomies have been presented. Towards the end of this article, the cluster image of Narges throughout Esmail's poertry has been schematically presented through an image neiwork.
خلاصه ماشینی:
Personification (Personifivation) One of the most beautiful forms of imagery in poetry is the manipulation that the poet's mind performs on objects and inanimate elements of nature, granting them movement and motion through the power of their imagination; as a result, when we look at nature and objects through his eyes, everything before us is brimming with life, movement, and vitality.
1- Personification in Kamal's poetry appears in three ways in terms of content and the connection between the two sides of the image: 1-1) Attributing human verbs, actions, states, qualities, and emotions to natural elements Example: کف تو حاضر و دریا غریق لاف گزاف- به طنز صبح از آن خنده بر جهان آرد (38) "Boasting" is attributed to the sea and "laughing in jest" to the morning.
- Compact personifications (Ezafi constructions) appear in several forms in terms of structure: 1-1-2- "Human attributes (refer to the page image) natural elements" or adding one of the members, parts, attributes, or accidents related to humans to natural elements: The hand of the morning breeze drew the foot of the water in chains; It took the back of the earth, the face of the tulip in the world.
These types of personifications (descriptive Ezafes) appear in three forms: 1-2-2- Objects (refer to the page image) Human attributes: The fire of intensity was driven out from the heart of the stone iron; From the excess of tenderness, all flowing water came from his eye.
(
, 
, 
)
