چکیده:
Women have been focused in different discourses after 1979 Islamic revolution in Iran. The media have played a pivotal role in discourse construction on the women. Written media including artistic-literary magazines can construct social realities which are influencing on the society. This paper by asking on the way of constructing women by these magazines at reform era (1997-2005) is to find how these magazines have represented the women and which discourse field they refer to. Thus Stuart Hall theory on the media representation by focusing on construction approach applied to study on selected 27 artistic-literary or artistic magazines were published at reform era. The selected artistic magazines have been analyzed through thematic analysis. The findings show that studied magazines which have represented the women are categorized in 3 categories; 1. The magazines which have ignored the women; they did not play a discursive constructing role on the women at the reform era 2. The magazines which have low representation of women; they put the women in side lines 3. The magazines which have constructed the women in a certain discourse. The constructed depiction of women in the 3rd category of studied artistic magazines have appealed to reform and popular-commercial discourses.
خلاصه ماشینی:
(Refer to the page image) In Farabi, slight signs of an approach toward women emerged; including the editor in the introduction of an issue dedicated to comedy cinema, who expressed the importance of the subject with special attention to the role of women as follows: "Are men the majority of comedy characters?
3. The discursive construction of the "image of woman" The examples that were more prominent in the analysis of the main subject of the article from the research community and instances in which answers to the main question of the article were found, are 7 publications that are introduced in Table 4: (Refer to page image) Donya-ye Sokhan: Although the artistic section of this publication declined during the Reform era, content production with a focus on the theme of women, especially within the field of reformist discourse, was prominent in it; for example, Samira Makhmalbaf's film "The Apple" was introduced in an article, and an essay about it titled "Iran, the New Global Capital of Film" was published.
Donya-ye Sokhan, by focusing on creating a trend for the reformist discourse, among other things, provided a visual representation of socially active women / Construction of the image of "woman" in specialized artistic publications ...
Female filmmakers, especially directors, were highlighted in this publication; including, "Departure but with Doubt," the title of an essay about Rakhshan Bani-Etemad and her works and the result of the interview with Noshabeh Amiri Constructing the Image of "Woman" in Specialized Artistic Publications ...
(
, 
, 
)
