Abstract:
Sociological study of art, establishes new capabilities and advantages for social planners and art society members. Sociological study of Farshchian,s Shiite paintigs, which usually were welcomed by the public, more than the meaning will bring us results for awareness of social planners and artists. This research will also answer to questions such as “how does a piece of art bccome fameous and welcomed, how personal background causes a piece of art be welcomed publicly, what are the affects of cultural conditions on artist personality and his works and what is the relation between society and artist and his work? Sociological study of “Panah”religious paintig (meaning shelter) to uncover the mechanism of social creating based on a local theory, made by professor seyyed saeed zahed, shows that the painting has been the resultant of artist action in background of personality, culture and social condition together. Personality of the artist and cultural background have directly affected the inspiration, imagination and innovation by farshcian, but the social structure indirectly and unconsciously. Artist,s intention to suppression of people by Pahlavid regime in half of fifties(1350), which is clear in other paintings by the artist, has been revealed through theme of asylum and depicted in form of a special visual structure. Mahmood Farshchian has formed the visual structure of panah painting by using concentrated composition, empty space, nonfigurative and colorless anatomy of imam to reduce materiality and induce helplessness of the Shiite under suppression.
Machine summary:
Sociological Study of the 'Panah' (Shelter) Image (1356) by Mahmoud Farshchian 1 Mostafa Siasar 2 Seyyed Saeed Zahed 3 Asghar Javani 4 Asghar Fahimifar Received: 2019-03-12 Accepted: 2019-12-31 Abstract Sociological study in art provides new and excellent opportunities for social planners and members of the artistic community.
A sociological examination of Mahmoud Farshchian’s experience in creating Shia images, which have sometimes been met with public acclaim, will provide findings for self-awareness of the artistic community and social planners, in addition to understanding the meanings of the works, and will answer important questions: How can an artwork present itself as a widespread social phenomenon, be seen, and be influential?
The sociological study of the 'Panah' image, with the aim of explaining the social mechanism of its emergence using the theory of Seyyed Saeed Zahed, indicates that the aforementioned work is the result of the artist's action in the field of personality, culture, and social conditions.
The work, from an individual dimension, is based on the artist’s inspiration, imagination, and innovation, passing through the filter of his personality and social conditions in light of the cultural context that provides the meaning and how of artistic creation, and manifests in the expression of taste, content, and form.
The artist’s personality, in the role of the first dimension of the collective context, is determining in the artistic work, meaning taste, content, and form, through the guidance it has on artistic perception including inspiration, imagination, and innovation.
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