Abstract:
the main message of the literary propositions lies in their meanings and secondary function and the author uses it in artistic and beautiful way to affect the audience. speech act is one of the subcategories of pragmatic and aims to reopen the implied meanings; as centuries before its advent, traditional semantics had the task of specifying secondary purposes in the form of news and propositions.imperative verb has a variety of applications as one of the subcollection of the essays in semantics and its pragmatic analysis has an important role in discovering the hidden layers of the author’s mind and thought and makes the affection more connected.mohammad reza shafieikadkani, the outstanding contemporary poet, in the collection of poetry "aieenehei baray-e sedaha (a mirror for sounds) "has influenced on imaging and the conceptualization of the poetry. reviews show that by applying the imperative verbs artistically in the the proportional and contradictory context of the poet and using the rhetorical elements, shafiei could illustrate them in the convincing, guidance, encouraging applications, besides the other implicit applications like expressing the wonder, astonishment and threat. this secondary purpose is equivalent to illocutionary act in austin’s speech act theories that recounts the power of impact on the audience and stimulating emotions by artistic ability to present them and says theaustin’s impact act.
Machine summary:
secondary purposes, pragmatics, speech act, imperative verb, Shafiei Kadkani Introduction The language of literary texts is essentially indirect, and the meanings of its propositions are metaphorical; the prerequisite for accessing them is understanding the connection between elements of speech in contextual situations.
- Mohammadi (1390), in the article "Investigation and Analysis of the Role of Command and Prohibition in the Persian Works of Ayn al-Quzat Hamadani," considers the secondary purposes of imperative and prohibitive verbs as tools that strengthen the connection between the speaker and the listener, and by referring to Jakobson's communication theory, believes that these sentences, due to their focus on the audience, strengthen the motivational aspect of Ayn al-Quzat's text.
In this research, five implicit meanings of the imperative verb in the social poems of Shafi'i Kadkani were selected for investigation due to their frequent use: 1) motivation/encouragement, 2) wishing, 3) entreaty and pleading, 4) guidance and instruction, 5) warning and awareness.
2) Wishing Wishing, which sometimes merges with the idealism of Shafi'i Kadkani, is among the themes of his social poems, where imperative verbs bear the function of describing and depicting it; for example, in the poem "For Rain," which he composed for the martyrs or, in the poet's words, "the companions of the tulip" (ibid: 199), through the use of symbols such as night and wall, it dominates the discourse governing the socio-political atmosphere and strives to convey the hidden illocutionary message within the text to the reader through an indirect speech act: «Rain!
(
, 
, 
)
