Abstract:
BACKGROUND AND OBJECTIVES: The purpose of this article and its main question is to study the stylistic features of the poem "Merat Al-Mahboob" or Yousef and Zulaikha Fakheri Fasaei. Considering the poet's influence on theological teachings and the use of interpretations and religious aspects of the work, this work can be considered first influenced by the Qur'an and then the narrations, Torah and followers of the previous poems of Yusuf and Zulaikha such as Ferdowsi, Jami, Khavari Shirazi, and Azar Bigdeli. In this article, the stylistic features of the work in linguistic aspects, including the three levels of "lexical, phonetic and syntactic" as well as the literary and intellectual level are examined and its proximity to the style of the return period and the intermediate period (constitutionalism) is examined. . Also, the stylistic features of the poet, which are specific to him, are considered and the local language of the poet is also mentioned. METHODOLOGY: This research has been done with library studies, filing and using analytical-descriptive method. FINDINGS: Fakheri's style of expression in his poems is influenced by the period of return and his language has an acceptable stability. His order is not devoid of the simplicity of the language of the constitutional period (intermediate), and colloquial words are also seen in it. CONCLUSION: Fakheri has a personal style, the poet is very interested in some words and repeats them regularly. Has created him among these poets. In general, Fakheri style is a combination of the style of the period of literary return and the period of constitutionalism (intermediate) and his language has the antiquity of Khorasani style and at the same time simplicity and mentality and slang words
Machine summary:
Investigating the Stylistic Features of Fakheri Fasaee's Poetic Work on Yusuf and Zulaikha with a Look at His Other Works, Mohammad Baqer Daneshdar, Mohsen Sajedi Rad*, Samira Rostami Department of Persian Language and Literature, Fasa Branch, Islamic Azad University, Fasa, Iran.
Abstract: Objective and Background: The objective of this article and its main question is to investigate the stylistic features of the poetic work "Mirat al-Mahbub" or the Yusuf and Zulaikha of Fakheri Fasaee.
Keywords: Yusuf and Zulaikha, Fakheri Fasaee, Stylistics, Mirat al-Mahbub, Ayeneh-ye Yusofi Introduction The Quran is the manifestation and the focal point of divine grace, and the stories of the Quran, which are part of the Word of Truth, help humans in perceiving beauties through the presentation of true and real beauties (Artistic Aesthetics in the Stories of the Quran, Farvardin: p.
In the author's opinion, Fakheri's poetry also possesses characteristics that cannot be far from heartfelt praises: it has a sweet, simple, and fluent language; despite the use of many Arabic words, he has been able to incorporate these words into his poem in such a way that they add to its beauty and have created a new style in the poem of Yusuf and Zulaikha, through which the reader becomes acquainted with hadiths, narrations, and interpretive aspects.
Examples of "Syntactic Level" stylistics from the poetic work Mirat al-Mahbub: Adding the prefix "ba" as an ornament at the beginning of the simple past tense: This case is frequently observed: پس بگفــت او تــا همــه برخــاســـتنــد کــوچــه و بــازار را آراســـــتــنــد (ibid: p.
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