Abstract:
In the narrative literature, the narrator finds himself against a shared world with others at the same time. Sometimes in different parts of the world, these differences become understandable. The Middle East, with its turbulent history, can create a similar mindset for contemporary observers. These psychological similarities to narrative expressions are a good way to address comparative research. This essay deals with an American-based descriptive-analytical approach to comparative exploration of narratives by "Abdul Rahmãn Manif" during “"Heyn Taraknã Aljsr" and "Peykar- e- Farhãd". These narratives lead the reader from reading the message from the beginning of the sender's message to the reader's various discourse textbooks to understand the relationships and internal composition of literary work in order to achieve the ultimate structure of narratives. In this research, sensory-cognitive symptoms have been extracted from the study of novel texts and rules specific to the level of narrative structures. These signs in the course of the stream of consciousness of narrators propelled into the actions of the heroes and they led to the discovery of existential discourses in the semantic system. Objective signs that have become commonplace over time fall into a new chapter of semantic separation. Creating new meanings and temporal and post-temporal manifestations show aesthetic perceptions through semantic holes. By coming out of negative situations in order to achieve the transcendence of meaning, the Shushigars create the sequence of Bush's discourse. Bush's discourses are the product of stream of consciousness of the narrators' minds in the sensory-perceptual dimension and a leaping diagram of deprivation necessitates the creation of new and different signs.
Machine summary:
Literature Review No thesis or article has been independently and comprehensively conducted on the subject of discursive systems in the novels "Hina Tarkna al-Jisr" and "Peykar-e Farhad" based on Greimas's theory; however, the following articles and books have been formed based on these novels: Articles: "Narrative Analysis in the novel 'Hina Tarkna al-Jisr' from the perspective of stream of consciousness" by Najafi Hajivor, Nazari, and Mirzaei Al-Hosseini (1395), which considers the novel حين تركنا الجسر as a prominent work in the stream of consciousness due to its possession of the technique of direct internal monologue, the intertwining of linguistic elements, ambiguity, temporal leaps, and poeticism; "Functions of Description in the novel Hina Tarkna al-Jisr" by Mirzaei and Sadat-Hosseini (1393), which states that the element of description in "Hina Tarkna al-Jisr" has an aesthetic, explanatory, and interpretive function, while also playing a good role in advancing and animating events; "A Comparative Study of Narrative Time in the novels Hina Tarkna al-Jisr and Travel to a 270-Degree Bend" by Yousefabadi and Rouzkhosh (1396), which has examined the temporal scope of narrativity in two novels and identified frequencies; "The Method of Dual Characterization in Peykar-e Farhad by Abbas Maroufi" by Irani, Rezabigi, and Ghorbanian (1392), which examines the method of characterization in Peykar-e Farhad and finally concludes that characters do not have distinct boundaries and all characters are multiple manifestations of a single person; "The Role of Myths and Legends in the Works of Abbas Maroufi" by Ranjbar and Sanaimoghaddam (1390), which first explains the purpose of employing myth in Maroufi's fictional works with a brief definition of myth and finally examines their role in his writings; Books: "Foundations of Modern Semantics" (1383); "Visual Semiotics: Theory and Analysis of Artistic Discourses" (1392); "Semiotic-Semantic Analysis of Discourse" (1395a); "Semiotics of Literature: Theory and Method of Literary Discourse Analysis" (1395b) by Shoayri, who has addressed the investigation and explanation of Greimassian semiotics and discourse in these books.
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