Abstract:
"Nostalgia" is one of the issues discussed in the criticism of literary works in terms of psychology. This term is about a feeling of nostalgia and regret over the past and the memories of joy that have now been lost. This category has been reflected in literary works for a number of reasons, including changing political and social conditions. Among the writers in his book Nostalgic Concerns, Nasavi is the author of Nafthat al-Masdour whose audience can feel his regrets merely by reading some lines of his work. The history of Jahangosha has also been influenced more or less by this feeling. It seems that the author, Joviny, while describing his historical accounts, expresses his hatred and the community’s regrets. In this study, a descriptive-analytical method is used to highlight the most important grounds for the emergence of nostalgia in these two works. Nostalgia seems to emerge in literary works through linguistic components. This research suggests that nostalgia is more pronounced in Nafthat al-Masdour, because linguistic features play an important role in strengthening its nostalgic approach. It can be said that the author's purpose is not merely the recording of historical events, but actually what is important to him is the opportunity provided for the emergence of a succession of emotions.
Machine summary:
Nostalgic Manifestations of Nafthat al-Masdur in Comparison with Tarikh-i Jahangusha PhD graduate in Persian Language and Literature, Mashhad Branch, Najla Ebrahimitaleb, Islamic Azad University, Mashhad, Iran Reza Ashrafzadeh, Professor, Department of Persian Language and Literature, Mashhad Branch, Islamic Azad University, Mashhad, Iran Abstract 'Nostalgia' is one of the topics discussed in literary criticism from a psychological perspective and, in technical terms, refers to the feeling of longing and regret for past times and happy memories that have now been lost.
This essay has shown that nostalgia has a greater manifestation in Nafthat al-Masdur, because linguistic characteristics play an important role in strengthening its nostalgic approach, and it can be said that the author's goal is not merely to record historical events, but rather, what was important to him was the opportunity provided for the unrestrained expression of emotions.
), is a method he employs that is very ingenious and, at the same time, expressive of his inner feelings toward his homeland through pleasant words using Persian and Arabic poetry: «رَأَ يـتُ الـدَّهرَ َ يـرَ فـعُ کُـلَّ وَ غـدٍ وََ يـخـفِضُ کُـلِّ ذِي شِـيَمٍ شَـرِيفَه » (Ibn Rumi, quoted by Juvayni, 2008), an era in which "many dervishes became wealthy and many indigent people gained wealth and blessings, and every person of low repute rose to high status" and "now all skill must be sought in the dust, for all masters are within the heart of the dust" (Ibid.