Abstract:
The anomalies or deviation is one of the aspects of "resurrection of vocabulary" based on linguistics and it is one of the new literary criticism theories proposed within the framework of the Russian school of formalism. Orfi Shirazi, the Indian style poet, has created the Ghazal language of this style beyond the norm of his time and he has been sometimes created an individual style and new norm in the language of the Ghazal.Therefore, the words have a variable resurrection in the imagery and semantic creation of the early Indian lyric style and Orfi Shirazi, as one of the early lyricists of Indian style, has created phenomena in a wide variety of ways in the imagination and he has challenged the mind of the audience in confronting the ups and downs of the Ghazal's image. This research was conducted with the aim of explaining the new techniques of imagination and semantics in Orfi Shirazi Ghazal with a descriptive-analytical approach and relying on the semantic deviation of "Leech"and has shown he has created techniques of semantic deviation with rhetorical and meaningful images in Ghazal. Accordingly, explanation of the semantic deviation on the imagination of Orfi in the Ghazal and the explanation of how words are used in the structure of new images, is the main achievement of the research.
Machine summary:
Scientific-Research Quarterly "Persian Language and Literature Research" Issue Fifty-Three, Summer 2019: 1-21 Date of Receipt: 2018/10/18 Date of Acceptance: 2020/01/14 The Resurrection of Meaning in the Ghazal of "Urfi Shirazi" Based on Leech's Semantic Deviation * Majid Khosravi ** Khalil Beygzade *** Mohammad Irani, Gholamreza Salemian **** Abstract Foregrounding or deviation is one of the aspects of the "resurrection of words" based on linguistics and new literary criticism theories, which has been expressed within the framework of the Russian Formalism school.
"Poets who have avoided living in the past and have strived to experience the world around them with a fresh gaze, have not only allowed fresh phenomena into their poetry, but have also re-envisioned them, stripped away the familiarity of surrounding objects and phenomena, and seen them in a new form" (Hassan Lee, 1391: 289) It can be said that Erfan Shirazi, as an early Ghazal poet of the Indian style, by rebelling against conventional meanings and audience expectations and by disrupting their mental equations, has introduced a multitude of fresh and unprecedented images into the orbit of the Ghazal language; such that this poet's mental excitement has confronted readers with a wave-like spectrum of deviant images and distanced them from the monotonous space of clichéd imagery.
This essay has investigated the new imagery techniques in the Ghazal of Erfan Shirazi, which have become the cause of habit-breaking and the artistic character of his speech, based on Leech's model of semantic defamiliarization with a descriptive-analytical approach.
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