Abstract:
The Quran is a book of knowledge and guidance in which stories told to achieve the purpose. The stories can be considered from the aspects of validity. Narrative or science of action is a branch of science that studies narrative techniques and structures that are embodied in the literature, too. This science examines the internal techniques of a relationships itself narrated from a story. Jaap Lintvelt is a narrative that bases its definition on a actors on the one hand and the narrator and audience on the other hand, too. Jaap Lintvelt focused on the dual interaction between the level of narrative practices point to the time of and place of the actors. He believes that narrator and audience are in space and time here and now and are in connection with each other. The narrator, with a time and space cut, convert the connection to the detachment and narrates the event that happened one day in the past. This separation between the narrator and the audience, on the one hand and the actors, on the other hand, determines the narrative definition in his view. Jaap Lintvelt has provided a model of his narrative and typology positions based on these levels, that Quranic stories can be analyzed from this prespective. In this research two stories from the prophets (The prophet Noah and The prophet Saleh) and two stories from the stories of non-prophetes (Companions of Elephants and Companions of Cave) are selected az examples. The research method in this article is narrative analysis. After studying these four Quranic stories for Noah, Saleh, Companion of Elephant and Companion of the Cave, It could be said that there is a homogeneous world in all these four stories. The narrative typology in these stories is text oriented in which the story is full of perspective and the directions of the narrator is expressed to the audiences. The narrator-actant (God) tries to use the words for the audience p (The Prophet Mohammad). The narrator tries to believe that in the shado of the help of the God, the truth will be overcome by falsehood. These stories are true and has historical fact.
Machine summary:
Genre and Narrative Positions in the Stories of the Quran From the Perspective of Gerard Genette (The Story of Prophet Noah { , Prophet Salih { , The People of the Elephant, The People of the Cave from the book by Mohammad Mohammadi Eshtehardi) Mahdi Jozi / Level four student of Qom Seminary and MA in Dramatic Literature (Corresponding Author).
Gerard Genette is a theorist who has based his definition on the agent on one hand, and the narrator and the audience on the other, and refers to the dual opposition between the level of the narrative act (meaning where the narrator and the audience are located) and the level of the agent (meaning in the time and place of the agent), which allows the stories of the Quran to be analyzed from this perspective.
The research method in this article is narrative analysis, and after the investigations conducted on these four stories, it became clear to us that the story world in all four stories is identical and the narrative genre of these stories is text-centric, such that the story is told from the perspective and direction of the narrator-agent (God) for the audience (Prophet Muhammad,) and the narrator-agent seeks, through the use of words and vocabulary, to lead the audience to the conclusion that believers, under the shadow of the help of the Truthful Lord, overcome the group of falsehood, and that these stories possess truth and historical reality.
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