Abstract:
"Dream of Tibet" like previous works of Fariba Wafi has been a successful story, but still has reiterated her earlier concerns. The success of this work at the same frequency lies on paying attention to plan, method and the new styles of author for effective writing of her contents and concerns. Due to achieving this, methods, plans and outline of the novel are to be considered due to analyzing relationships between themes and innovations of the novelist to advance the novel. Theme of the novel represents the importance of dialogue and love in life. The plot of the novel is based on dialogue. The author has studied the effects of lack of dialogue and the creation of an opportunity for dialogue, on the other hand to understand the causes of the crisis of a life without dialogue turned to dialogue, in which of this dialogue discovers the factors that make their life critical. The author also has used characterization and narrative modes of expression based on mystery to know the status of women and the factors affecting women's lives. First person point of view and female narrator coincided with tis layout and content are selected; the narrator is not involved in the main story, and she just narrates the story to uncover the secret of a woman's life crisis.
Machine summary:
Analysis of the Structure and Narrative Techniques of the Novel "Tibetan Dream" * Teymour Malmir Professor of Persian Language and Literature, University of Kurdistan, Sanandaj, Iran ** Rezvan Safaei Sabr PhD student in Persian Language and Literature, University of Kurdistan, Sanandaj, Iran (Date received: 1395/11/05 Date accepted: 1397/04/26) Abstract "Tibetan Dream," like the previous works of Fariba Vafi, has been a successful story, but it continues to repeat her previous concerns.
Malmir and Zahedi have examined the structure of female narration in the novel My Bird and believe "Fariba Vafi, by using the narrator's point of view, has represented the story from the language of a woman so that she can express women's protest regarding their status and position.
In fact, as the governing idea of the story, the theme is responsible for selecting all narrative elements—such as subject, character, action, complicating situations, conflict, crisis, turning points, resolution, and anything else the author needs to convey their intended concepts—within an appropriate context and in step with their intellectual line, and providing them with order and organization.
Despite this meaningful limitation, what can bring a writer's work closer to greatness and immortality is how to tell and nurture it in a new and specific style and technique, so that a single voice of the story is heard, no element molds another, and in a broader view, a coherent and well-formed structure with all its parts is presented for critique and to create an appropriate approach to ontological challenges to the outside world; not merely to produce meaning, but to construct a world under the control of meaning; which is the first and most important function expected from a novel.
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