Abstract:
Folklore plays are a reflection of the lives of people in every nation and tribe and are related to all customs, traditions, ways of life, and history. Assuming that radio is an auditory medium as well as the best medium for imagination and image simulation, the researcher seeks to design subjects, especially plays, for radio productions that have the ability and capacity for mental imagery in the listener. Therefore, using the method of in-depth interviews with experts and specialists in the field of music as well as radio producers, the narrative capacities of such plays have been examined based on Chatman's narrative theory and Stuart Hall's encoding and decoding theory. To conduct the research, three groups were interviewed: the first group; prominent musicians and researchers in the field of folklore narratives, the second group; narrators of folklore stories, and the third group; radio producers, especially those who have experience in programming with folk culture content. In these interviews, the narrative capacities of folkloric plays were examined.
Machine summary:
To conduct the research, three groups were interviewed: the first group; musicians and prominent researchers in the field of music of folklore narratives, the second group; narrators of folklore stories, and the third group; radio producers, especially those with experience in programming with popular culture content.
(Editor) Theoretical Framework Based on Seymour Chatman's narrative theory 1, which is based on the idea that every narrative transmission has two parts: one, a story, content, or a chain of events, actions and occurrences, characters, and scene parts; and two, discourse, through which the content is exchanged (Chatman, 1378), playing the role of conveying meaning and providing a platform for its presentation, and in fact, through which the tale is expressed and depicted.
" (Interview, 1395) Ali Bokan, composer, says regarding how folklore narratives took shape: "Each of these narratives traces back to an event that occurred at that time, and then through people's transmission, it has come from generation to generation and passed from tongue to tongue until it reached the ears of this "Bakhshi" or "Ashiq" or any other narrator.
Zahra Faqih Mirzaei, producer of the radio program "People's Culture," says about this: "Many musical narratives are in the form of tales, and these tales have the capacity to be performed.
In adapting folklore narratives for radio drama, regarding dialogues, this point must be considered: an accurate recognition of the various aspects of language and a complete understanding of the characteristics of dialogue based on the culture and living environment of the character.
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