چکیده:
For every literary researcher, the most important issue in poetry analysis is confronting the world of the text, perceiving its beauty and integrated totality, understanding the functional quality of poetic elements, and examining the poet's ability to utilize linguistic possibilities. In the stylistics of poetry, three elements—style, poetry, and consequently language—are of primary importance, and all three are fluid concepts subject to change and transformation. In examining innovation in style, one must first see which linguistic and traditional framework the poet is situated in and which linguistic, expressive, and structural possibilities are available to them; then, understand which of these possibilities they have chosen, what manipulations they have made to them, and what role these manipulations play in their message. Azizi is among the word-oriented poets of the Islamic Revolution and, in this regard, possesses a 'new style'; in many cases, his poetry has succeeded in achieving linguistic discovery through the poet's mind and poetic language, where the fluid medium of this language provides a suitable place for the manifestation of his poetic imagination and the creation of an imagery expression outside the conventional boundaries of the real world. Based on the principles of poetic stylistics, this research addresses some of these characteristics.
خلاصه ماشینی:
309 - 328) Hossein Agha Hosseini 1 (Corresponding Author), Zeinab Zare 2 Date of receipt: 89/9/9 Date of final acceptance: 89/12/4 Abstract: For every literary researcher, the most important issue in poetry analysis is facing the world of text, perceiving its beauty and holistic unity, understanding the quality of the functioning of poetic elements, and examining the poet's ability to utilize linguistic possibilities.
Therefore, to perform an aesthetic analysis of Azizi's poetic style based on the stages of stylistic analysis, first attention has been paid to what position the poet's poetry holds within a linguistic framework, how much linguistic, expressive, structural, and aesthetic possibilities have influenced the formulation of his thought, and then it has been determined which elements he has chosen from these possibilities, what manipulations he has made to them, and what role these manipulations play in his message?
Poetry, which is one of the most beautiful manifestations of artistic language, is employed with the goal of creating meanings through artistic and aesthetic foundations via linguistic connection; it possesses a specific logic within its structure that requires reflection and investigation, and every poet holds a special position from this perspective.
To reach this metalanguage and achieve such a revelation, the poet must, with the help of words, through the means of language create new structures from the combination of elements, transform the natural norms of speech, discover its hidden potentials, and recreate them in the form of linguistic combinations, thereby increasing the lexical treasury of the language and establishing a connection with the surrounding world through this way.
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