چکیده:
In the 1950s and 1960s, prominent and stylistic figures emerged in the field of modern theater, each playing a significant role in advancing playwriting in Iran; individuals such as Gholamhossein Saedi, Bahram Beyzai, Akbar Radi, etc. Among them, Radi, with about fifty years of playwriting experience, is the only one who has always written for the stage and has become a symbol in the field of playwriting in Iran by creating characters with national identity. The present article, by addressing the concept of structure and structuralism based on the theories of 'Vladimir Propp', takes a brief look at the views of several prominent structuralists and then, in the structural analysis section of Radi's plays, by considering a free reading of these theories, identifies the structural patterns of this author's plays from the 1960s and 1970s and shows the structural similarities of these works by comparing them with each other. In addition to the structural analysis, the results obtained at both the intellectual and linguistic levels are stated at the end, because language for Radi is also part of the 'structure network' that conveys a sense of style to the audience through deviation from the standard norm language.
خلاصه ماشینی:
By addressing the concept of structure and structuralism based on the theories of "Vladimir Propp," the present article takes a brief look at the views of several prominent structuralists and then, in the section on the structural analysis of Radi's plays, by considering a free reading of these theories, identifies the structural patterns of this author's plays from the 1960s and 1970s and shows the structural similarities of these works by comparing them with each other.
Of course, due to the abundance of Radi's works, in this article, only the study of his plays from the 1960s and 1970s has been sufficient, which are: Plays of the 1960s: ـ Blue Window, 1959 to 1961 ـ Decline, 1963 ـ Death in Autumn, 1966 ـ From Behind the Windows, 1966 ـ Iranian Legacy, 1967 ـ Hunters, 1969 Plays of the 1970s: ـ The Magnificent Smile of Mr. Gil, 1971 to 1973 ـ Sing in the Mist, 1974 ـ Hamlet with Seasonal Salad, 1977 ـ Savior in the Moist Morning, 1979 to 1980 1- The Concept of Structure: Every phenomenon is a part of a whole or a "structure," and only within that structure can this phenomenon be understood correctly and completely; for example, no social phenomenon can be analyzed separately from the structure of society can be done (see: Balayi and Kuyi Pars, 1378: 267).
2. All these plays end with situation C1, meaning the failure of the intellectual/main character, and this point well demonstrates the writer's hopelessness regarding the reform or change of the social situation.
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