چکیده:
In the history of Persian literature, a period known as the Literary Return is famous. The poets of that period, being weary and bored of the Indian style of poetry—which had declined after Bedil—turned toward the Iraqi style in ghazals. In particular, they took the sweet and pleasant ghazals of Saadi and the artistic, roguish, magical, and eternal ghazals of Hafez as their model. Neshat Esfahani is one of the poets of that period who paid attention to the mysterious poetry of Hafez. Neshat's following and imitation of Hafez's ghazal is comprehensive and is not limited to only one aspect of the ghazal. In other words, Neshat has been influenced by Hafez's ghazal in linguistic, intellectual, stylistic, musical, and other axes of poetry. Given that no comprehensive research has been conducted so far regarding Neshat's influence from Hafez, the author intends to scrutinize, examine, and re-evaluate the extent of the reflection of Hafez's ghazal in Neshat's ghazal.
خلاصه ماشینی:
Neshat's status in the ghazal of the Literary Return style is undeniable; following him in the manner of composing ghazals like Hafiz, many greats of poetry and literature have spoken.
. 2- Linguistic-Lexical Axis Before proceeding to mention the identical compositions of the ghazals of Hafiz and Neshat, it is necessary to address the language of the poets of the Return period and the use of some characteristics of the Khorasani style in Neshat's poetry.
The axis of themes and poetic subjects If the themes and subjects of the ghazal in the literary Return period are separated from other themes, and its prominent and frequently used subjects are analyzed, the share of the thoughts and ideas of Saadi and Hafiz is greater than others, because the poets of this period "strove, as much as possible, not to use contemporary issues (as they were expressed in the common language of their era) so that they could be as similar as possible to the style of the ancients.
Neshat's following of Hafiz is not limited only to the aspect of meter and music through the use of soft and flowing meters, because they not only share identical language, vocabulary, compositions, and mystical and libertine terminology, but also in artistic, rhetorical, and stylistic creations such as similes, metaphors, ambiguity and its branches, and multiple usages.
Neshat's goal was to present sublime human concepts and themes to the audience with an artistic language, much like Hafiz, using soft and flowing meters and beautiful, polished vocabulary and compositions.
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