خلاصه ماشینی:
In the context of seals, various manifestations of nature that depend on the subject of the design are depicted, such as: the crescent moon, the star—which represents the sky and the sun—a water jar which is the symbol of the great god (=Great Guzzegr), a table of gifts, a mace, a sacred fish, a two-pronged branch (=sign of lightning), and many other signs, each being an example of the beliefs and attention of the seal owner and their connection to these matters.
Cylindrical seal from the collection of the National Library of Paris, one of the Achaemenid kings with the crown prince On the back of the coin of Hormizd II Sassanid princess's signet ring from the Truviglio Museum collection in Milan sitting, flames emanate.
In the Achaemenid period, most of the engraved works on the seals are scenes of hunting grounds or combat with animals and images of the kings and nobles of this period.
Silver coin of Sassanid Bahram II with the crown prince - 76- 292 AD Beautiful and Precious Sassanid Seals In the Sassanid period, when the material of the seals is of the best precious stones, the seal is no longer cylindrical in shape, and most seals are hemispherical or oval, with images and content engraved on their flat side.
Also, Sassanid slogans in various forms, the image of the god Mithra and Anahita, the sacred fire altar, and with inscriptions in Pahlavi script including the name and title of the seal owner or the name of the city are engraved on some seals, which relate to official or administrative matters.
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