چکیده:
The work of architecture is believed to depend on the governing thought in the process of architectural designing. This thought can be analyzed, developed, experienced, and interpreted. Creativity is the only domineering force in the idea of designing which is in quest for freeing architecture from the routine methods, and also finding the novel systems to answer the questions in architecture. Therefore, a special fixed and stable place is considered for creativity. However, the background and history of research and clash of ideas in recent years explains for the change in reconsidering the general ideas, and interpretations on creativity in the process of designing. Today, the approach that considers the process of designing an outcome of responding to the demand on creativity in architecture through logical and analytic methods is no longer credited. Instead, the process of designing is considered in a creative and intuitive way which is metaphysical rather than argumentative. This change in attitude and the relevant interpretations have introduced clear evidence; however, there remain many questions involving the identity and quality of the creative occurrences in the process of designing. Therefore, the intuitive approaches and interpretations about creativity have been so over generalized and complicated that have left a lot of obscurities behind. This article is an attempt to respond to some of these questions by identifying the ways the intuitive creativity occurs and also to present a descriptive stream in the emergence of creativity which means creating ideas only happen according to intuition.
خلاصه ماشینی:
Today, the approach that considers the process of designing an outcome of responding to the demand on creativity in architecture through logical and analytic methods is no longer credited.
The present article is an attempt to clarify such ambiguity and describe an appropriate model that shows the way creative intuition activities occurred in the process of designing of architecture.
Where the theorist finally makes his point, designing includes an intuitive creativity and when a mental idea tends to be a real work of art an experience of the logical innovation occurs.
An idea is the product of the mental process of a suggestion maker that is formed after a series of imaginations, visualizations, understandings, and thinking that occur unconsciously.
Discovery and the creation of the idea behind an artistic work is after the inner creative thinking based on some features as flexibility in form of intuitive thinking, chance occurrences, and imagination following a change in existing patterns and creative sparks transgressing previous experiences and solutions.
It should be notified that in creative intuitive imagination the mental pictures are not the direct product of the memory but the result of the recognition of the images and symbols that are put together in an indivisible form and are constantly mixing and processing through the fluctuation of the intuitive thinking.
In the idea producing process based on intuition, the creative imagination ends in freedom from the traditional structures and the previously formed mentality towards the problem and will bring forth the new perceptions of the relations between data and preparing the appropriate circumstances for the idea to be made.