Abstract:
AbstractStory telling in Kermanshah has so much considerable place, inseparable connection in the school of fictional literature that many fictional works have been created since 1285 to 1398 in Kermanshah fictional literature, there are so many novice approaches in Iran fictional literature. Kermanshah school of storytelling has been exposed to four approaches, the beginning of storytelling had historical approach and Mohammadbaghermirza Khosravi Kermanshahi was pioneer there, after him, some of Kermanshahian writers continued his method. Realist school can be found in the works of Khodadad Kord Dinavadi and Alimohammad Afghani, then there can be found some socialistic, critical, complaining approaches in the works of Yaghooti, Darvishian, Amirshahi, and Lari Kermanshahi, until Esmaeil Zarei created the new approach in Kermanshah fictional literature, therefore he founded the modern features in fictional literature. Furthermore, the experimental fictions and novels are from Kermanshah fictional approach in storytelling, therefore authors exaggerated their own personal experiences their romantic emotions like the works of religious war and memories in the stories, therefore the present study aims to clarify the descriptive culture of storytelling in Kermanshah school of storytelling due to descriptive– analytical approach and library resources, this study has clarified the process of structural, contextual school of Kermanshah story telling in the form of descriptive culture.
Machine summary:
A traditional type of realist style should be experienced in the works of Khodadad Kard Dinouri and then Ali Mohammad Afghani, and with critical, protest, and socialist approaches within the same realistic scope, it was followed by writers such as Yaquti, Darvishian, Amirshahi, and Lari Kermanshahi, until Ismail Zarai brought a new voice to the fictional literature of Kermanshah and became the founder of modern storytelling genres.
Submission Date: 2023/07/14 Acceptance Date: 2023/09/11 1- Introduction The translation movement within the scope of Western fictional works provided the opportunity for writers from Eastern countries, including Iranian and Kermanshahi writers, to produce narrative genres in a modern style, just as Iranian writers translated works of Western writers such as parts of the plays of Shakespeare1, stories by Voltaire, 2 portions of the works of Victor Hugo3, and also the works of Russian writers such as Pushkin4, Gorky5, Tolstoy, and 6 Lermontov7 in the year 1920 AD (1298 Solar Hijri) to expand intellectual horizons in literature (a collection of Orientalists, 1367: 182-183).
This approach gradually continued, the historical style distanced itself and moved closer to the social style, and it can almost be said that it followed a similar trend to the West" (Dastgheib, 1383: 36); therefore, the Kermanshah storytelling school is also influenced by Western fictional literature, as the historical novel "Shams and Toghra" by Mohammad Baqer Mirza Khosravi Dolatdad or Mohammad Baqer Mirza Dolatshah, known by the pen name Khosravi-Zadeh, born in 1228 Solar Hijri or 1266 Lunar Hijri in Kermanshah and died in 1298 Solar Hijri in Tehran - was written based on the historical novels of Scott and Alexander, and then Kermanshahi storytellers took their first steps following the prevailing trend in Iranian fictional literature, which tended towards realism11 1.
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