Abstract:
In this article, the developmental structure of female identity in media productions (radio shows) was studied and to do this, several Iranian plays and foreign plays with Iranian arrangement were studied by content analysis method and Christian approach. Female characters These plays were studied and analyzed based on Kristova's characteristics, and finally the female characters created by Iranian writers were compared with the female characters created by foreign writers. The results show that the payment of female characters in the plays of this decade, although Compared to the decades before the Islamic Revolution, it has enjoyed more growth and success, but by comparing the two parts of Iranian and foreign plays with Iranian arrangement, it is possible to address the shortcomings and weaknesses of women in Iranian plays, both in terms of form and content. win. In addition, the distorted behavior of female characters in Iranian plays casts doubt on whether women in the 1970s were able to regain their individual identities.
Machine summary:
Studying the developmental structure of female identity in media productions (Case study: Radio plays of the 1370s SH) Mozhdeh Naderi 1, Majid Sharifkhidaei 2, Mohammad Akhgari 3 Date of receipt: 2021/07/13 Date of acceptance: 2021/10/15 Abstract One of the most important concerns of humanity has been and is finding an answer to the concept of identity.
In this article, the developmental structure of female identity in media productions (radio drama) was studied, and in this matter, several Iranian and foreign plays with Iranian adaptation were studied using the content analysis method and Kristeva's approach.
In this regard, what is being analyzed and investigated is the identity of women and its examination in terms of the thought and pen of writers (both men and women) from the past to the present and its result in the people's view and societal feedback; and even beyond that, the representation of women's identity in radio plays with all its similarities and contradictions in women after the Islamic Revolution, especially women during the Sacred Defense era and her transformation in the 1370s SH is.
Pattern of female identity in radio plays in the 70s (Solar Hijri) (Refer to the page image) Conclusion This research, from a sociological perspective, has addressed the analysis of female identity in Iranian plays; therefore, it carries with it the influences of the social fabric and people's views in terms of political, religious, cultural, artistic, and social aspects and, in fact, carries a historical burden on its shoulders.
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