What is obvious, is white! مقاله

خلاصه ماشینی:

Saman Ghasemi Introduction In the process of Persian poetry transitioning from traditional poetry to new poetry, from Nima until now—especially in the last two decades —we are witnessing the birth, growth, brilliance, and sometimes the decline and death of certain poetic schools that emerge every so often from the heart of prevailing literary trends with the prominent presence of figures in the field of poetry. This article attempts to examine, in a list-like manner, some characteristics and the reasons for the isolation of emerging poetic movements that call themselves "Fifth Generation" poets and have not been very successful in establishing communication with the community of poet friends, people of letters, and even the general public—as testified by the literary community. The first noteworthy point is that these poets call themselves post-modern poets—though, despite my humble opinion, although these friends observe many characteristics of post-modern poetry in their poetic structure, applying the term "post-modern" to these poems is not an exact application, which itself is a lengthy discussion that does not fit within the scope of our discussion—to express our intention, we are initially compelled to briefly examine some characteristics of postmodernism, characteristics that will assist us in introducing these poems. This is why in the poetry of this group, we frequently encounter unfinished sentences and omitted words, and we can complete them however we wish; in fact, without wanting to, we are forced to construct a meaning for the poet's unfinished poem. Contrary to the structure-breaking spirit of postmodernism, the poets under discussion have established a specific definition and a small mold for poetry; they are not, in themselves, nurturers of such feelings.