From the critic's perspective: Language, form, and style of Nima Yooshij's poetry معرفی و نقد

خلاصه ماشینی:

*Dr. Esmail Khoei (Refer to the page image) From the perspective of a critic of language, form, and style: The poetry of Nima Yooshij Many poets or writers, in composing or writing, use only a specific "type" or "types" of their own language, and this, undoubtedly, is why they are more "present-oriented" in their social and cultural struggles; and in this "present-orientation," they are not engaged with the whole present, meaning not with the whole community and culture as it is, but only with specific parts, segments, or aspects of it. 3- 'possible' words, meaning 'makeable' In a broader sense, the entire vocabulary of the Persian language means: 1- words that have been used in all the 'types' of the past of this language And I remind you that what I mean by all the 'past types of the Persian language' is, 'on one hand,' namely the 'dialects,' which are the various applications that this language has had in the geographical segments of the Persian-speaking culture or cultures, and, on the other hand, in each of these 'dialects,' namely the 'locutions,' which are the various applications that this language finds in 'different speech bases'. Let us look at the Tehrani dialect as one of the geographical types of the application of the Persian language; it is clear in the different speech bases that the vocabulary of each group of the people of Tehran, based on their socio-cultural conflicts, has become more blossomed and enriched in several or specific directions. And now my intention regarding the 'entire vocabulary of the Persian language of poetry' must be made precisely clear; this 'entirety,' as we have said and seen, beyond living or 'in-use' words, also includes on one hand all possible words, meaning those that can be constructed.