Abstract:
The human life is always influenced by events, circumstances, that are, in turn, the result of one's point of view and vision of the world. For a long time, literature has been the polisher of the human soul and spirit. One of the points in the intellectual evolution of man was the period of the Renaissance. Like an earthquake whose the greatest impact that took place in the 19th century with the Industrial Revolution. The basis for such mutations is clearly visible in the works of the post-Renaissance era. Where the structures of the stories change under the influence of the author's thoughts, another new novel is made in human poetics with names such as Balzac, Flaubert, Maupassant, etc. In the shadow of these mutations, we are witnessing the reversal of philosophies accepted for a long time. What Charles Perrault, according to the philosophy of "transcendence", said in the 17th century, Maupassant repeats with a different look from Kant's "transcendental" thought. La Parure is a new outfit dressed by Maupassant in Cinderella; in other words, it is hypertext on the hypotext. The study of levels and narrative patterns proves the similarity of structures and the difference in meaning in these stories. Maupassant, aware of the changes in his transitional time, conveys a new concept from a new philosophy, to the people of the time but with a frame accustomed to that time so that readers can easily comprehend and understand it.
زندگی انسان همواره متاثر از حوادثی است که خود محصول نگاه او و بینش او به جهان است. در عین حال، تحولات زندگی بشر و اندیشه ان دو متغیر اصلی تمدن است که علت و معلول یکدیگر هستند. یکی از نقاط عطف در تکامل فکری انسان ، دوره رنسانس بوده است که مانند تکانه ایی عظیم در فکر بشر، پس لرزه های ان در قرن نوزدهم با انقلاب صنعتی رخ می دهد. و ادبیات که از دیرباز صیقل دهنده روح و روان انسان بوده است انعکاس دهنده این جهش های فکریست به ویژه در اثارادبی و هنری دوران پس از رنسانس. انجا که ساختار داستانها تحت تاثیر اندیشه نویسنده تغییر میکند،هر دم بوطیقایی دیگر با نامهای بالزاک، فلوبر، موپاسان و... بر لوح تمدن انسان خلق میشود. در سایه این جهش ها، شاهد وارونه شدن فلسفه های پذیرفته شده از دیرباز هستیم. انچه چارلز پرو بر اساس فلسفه «transcendance » در قرن هفدهم در «ساندریون» روایت میکند، موپاسان با نگاهی متفاوت از اندیشه « transcendantal » کانت، در داستان «گرد بند» به تصویر میکشد.رختی نو برتن فلسفه و جهان بینی ژنده پوش دو قرن قبل : به عبارت دیگر، فرامتنی که بر زیرمتن جای میگیرد. بررسی سطوح و الگوهای روایی، شباهت ساختارها و تفاوت معنایی این داستان ها را اثبات می کند. موپاسان با اگاهی از تغییرات دوران گذار خود، معنای جدیدی را از فلسفه ایی نو به مردم زمان خود منتقل می کند، اما همچنان در چارچوبی که زمانه بدان خو گرفته است، تا خوانندگان به راحتی ان را درک کنند.
The human life is always influenced by events, circumstances, that are, in turn, the
result of one's point of view and vision of the world. However, the evolutions of human life and
perspective and beliefs are two main variables of civilization on Earth, which are the cause and the effect
of each other. For a long time, literature has been the polisher of the human soul and spirit. One of the
points in the intellectual evolution of man was the period of the Renaissance. Like an earthquake whose
the greatest impact that took place in the 19th century with the Industrial Revolution. The basis for such
mutations is clearly visible in the works of the post-Renaissance era. Where the structures of the stories
change under the influence of the author's thoughts, another new novel is made in human poetics with
names such as Balzac, Flaubert, Maupassant, etc. In the shadow of these mutations, we are witnessing
the reversal of philosophies accepted for a long time. What Charles Perrault, according to the philosophy
of "transcendence", said in the 17th century, Maupassant repeats with a different look from Kant's
"transcendental" thought. La Parure is a new outfit dressed by Maupassant in Cinderella; in other words,
it is hypertext on the hypotext. The study of levels and narrative patterns proves the similarity of
structures and the difference in meaning in these stories. Maupassant, aware of the changes in his
transitional time, conveys a new concept from a new philosophy, to the people of the time but with a
frame accustomed to that time so that readers can easily comprehend and understand it.