چکیده:
The article is devoted to the phenomenon of reception and representation in the culture of China. The identification and separation of these concepts is possible in historiography. The reception in Chinese culture can be considered not only within the framework of certain phenomena, but also within the framework of the historical period image. The nature of reception phenomenon by social orientation can be described as aesthetic and pragmatic. The aesthetic nature of the reception is most often found in the fields of art. The pragmatic nature is specific in that the achievements of the past in the field of history are used to solve the problems of society in a utilitarian manner. The objects of both types of phenomena are most often those characters or events whose image becomes more relevant in the context of contemporary events. The pragmatic and aesthetic aspect is considered in the form of historical and sociocultural reception. The most striking example of reception is recognized as stratagems that can be used in real military activities, tactics and strategy of board games, the plots of works of art and even in the business world.
خلاصه ماشینی:
The pragmatic nature is specific in that the achievements of the past in the field of history are used to solve the problems of society in a utilitarian manner, The objects of both types of phenomena are most often those characters or events whose image becomes more relevant in the context of contemporary events.
The most striking example of reception is recognized as stratagems that can be used in real military activities, tactics and strategy of board games, the plots of works of art and even in the business world .
ru3 Kazan Federal University 609 178 I Special Issue of Journal of Research in Applied Linguistics, 10, Summer & Autumn 2019 conditions for the use of reception within the framework of Chinese culture and history, which was the reflection of Heaven will for the Chinese (Malyavin, 2002).
The reception in Chinese culture can be considered not only within the framework of certain phenomena, but also within the framework of the historical period image.
The reception in Chinese culture can be considered not only within the framework of certain phenomena, but also within the framework of the historical period image.
Most often, reception is written in the context of antiquity culture achievement use and their adaptation to modern realities (Degtyarev & Rogova, 2013; Almagor & Maurice, 2017; Huang, 2014).
5. Conclusions Summing up the characterization of reception as a phenomenon in Chinese culture, it should be noted that it is inherent in many different areas, starting with politics and building a state in antiquity, when they turned to even more ancient examples.